<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-3845184</id><updated>2011-11-27T08:58:08.959Z</updated><category term='Socialist Diary'/><category term='Art'/><category term='Socialism'/><category term='William Morris'/><category term='Anarchism'/><title type='text'>BOOKSURFER</title><subtitle type='html'>Books &amp; Internet Resources</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://booksurfer.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default?start-index=101&amp;max-results=100'/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>572</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-3845184.post-8611503047501886757</id><published>2011-11-27T08:52:00.002Z</published><updated>2011-11-27T08:58:08.967Z</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span" style="font-size: x-large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Revolutions in Reverse&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;A new book from David Gra&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;eber published by Minor Compositions: &lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 21px; "&gt;&lt;strong style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: transparent; font-weight: bolder; "&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Revolutions in Reverse: Essays on Politics, Violence, Art, and Imagination&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;. Graeber "&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 21px; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;explores a wide-ranging set of topics including political strategy, global trade, debt, imagination, violence, aesthetics, alienation, and creativity. Written in the wake of the anti-globalization movement and the rise of the war on terror, these essays survey the political landscape for signs of hope in unexpected places." Available free online or in print at $13:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 21px; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 21px; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;a href="http://www.minorcompositions.info/?p=284"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;http://www.minorcompositions.info/?p=284&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-8611503047501886757?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8611503047501886757'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8611503047501886757'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2011/11/revolutions-in-reverse-new-book-from.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-8138453710617140635</id><published>2011-10-02T19:20:00.003+01:00</published><updated>2011-10-02T19:33:41.646+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The Luddites - without condescension&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;For anyone who (like me) was unaware of the conference on the Luddites that took place at Birkbeck College in May, the Backdoor Broadcasting Company has made podcasts of the sessions and discussions available online.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Th&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;e  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 18px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;one-day conference was held "to mark the 200th anniversary of the uprising of the handloom weavers in the dawn of the industrial revolution under the command of the mythic General Ludd. Even though the movement was sparked by skilled artisans, “luddite” has ever since been a byword for technophobes facing backwards and mindless rejection of progress. The conference will gather historians of luddism and others interested in what in 1800 was called “the machinery question”, to consider not only the historical luddites, urban and rural, but also contemporary movements of direct resistance, north and south, to capitalist modernization – for example, anti-nuclear movements, opposition to agricultural transgenics, resistance to big dams. The concluding session will address the issue of modernity itself, its model of temporality and the assumption that history is future-directed."&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 18px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 18px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Contributers included Peter Linebaugh, T.J Clark,Iain Boal, Dave King, Esther Leslie and Anna Davin&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(174, 174, 174); line-height: 18px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 18px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;a href="http://backdoorbroadcasting.net/2011/05/the-luddites-without-condescension/"&gt;http://backdoorbroadcasting.net/2011/05/the-luddites-without-condescension/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(174, 174, 174); line-height: 18px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-8138453710617140635?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8138453710617140635'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8138453710617140635'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2011/10/luddites-without-condescension-for.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2290788868156435971</id><published>2011-08-21T08:28:00.002+01:00</published><updated>2011-08-21T08:35:37.430+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Unwelcome Guests&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Unwelcome Guests: 2 hours/ week of intelligent talk radio contains a fantastic themed archive of interviews, talks, audiocollages and discussions around a wide range of subjects from Digital Rights Management and Deschooling to the commercialisation of food, and the corruption of money. Somewhere to return to again and again for inspiration.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.UnwelcomeGuests.Net/UNWELCOME_GUESTS"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;http://www.UnwelcomeGuests.Net/UNWELCOME_GUESTS&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2290788868156435971?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2290788868156435971'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2290788868156435971'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2011/08/unwelcome-guests-unwelcome-guests-2.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-462998381741317244</id><published>2011-07-12T11:59:00.002+01:00</published><updated>2011-07-12T12:09:05.980+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Weaponizing Anthropology&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;A new book by David Price, &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 4px; -webkit-border-vertical-spacing: 4px; "&gt;&lt;em&gt;&lt;a href="http://www.akpress.org/2011/items/weaponizinganthropology"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Weaponizing Anthropology&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/em&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; "documents how anthropological knowledge and ethnographic methods are harnessed by military and intelligence agencies in post-9/11 America to placate hostile foreign populations. Price's inquiry into past relationships between anthropologists and the CIA, FBI, and Pentagon provides the historical base for this expose of the current abuses of anthropology by military and intelligence agencies."&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 4px; -webkit-border-vertical-spacing: 4px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 4px; -webkit-border-vertical-spacing: 4px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Here's a quotation from an endorsement for the book by author of &lt;i&gt;Stone-Age Economics&lt;/i&gt;, Marshall Sahlins:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 4px; -webkit-border-vertical-spacing: 4px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;“Even before he published this masterly and comprehensive account, David Price has long been in the forefront of those warning of the adverse effects of militarizing the human sciences. Now, by matching an extraordinary command of the sources to a telling sensitivity to the political and intellectual consequences, he demonstrates in this definitive work that weaponizing anthropology is as damaging to the soul of the nation as it is to the integrity of the science. “&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 4px; -webkit-border-vertical-spacing: 4px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 4px; -webkit-border-vertical-spacing: 4px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Published jointly by AK Press and Counterpunch - pre-publication purchase brings a 25% discount from &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.akpress.org/2011/items/weaponizinganthropology"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;AK Press&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-462998381741317244?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/462998381741317244'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/462998381741317244'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2011/07/weaponizing-anthropology-new-book-by.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-8335442654061063490</id><published>2011-07-07T08:33:00.002+01:00</published><updated>2011-07-07T08:39:04.171+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Crack Capitalism&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;John Holloway, author of &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Change the World Without Taking Power,&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; is giving a series of four Leverhulme Lectures, the first of which: "Crack Capitalism" is online &lt;/span&gt;&lt;a href="http://www.geog.leeds.ac.uk/study/masters/courses/maasc/news.html"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;here&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-8335442654061063490?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8335442654061063490'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8335442654061063490'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2011/07/crack-capitalism-john-holloway-author.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-4433950252448585342</id><published>2011-04-07T22:16:00.002+01:00</published><updated>2011-04-07T22:24:58.214+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Poetry Classics and Class&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;An online talk with readings by poet Tony Harrison, on the theme of 'Poetry Classics and Class', recorded live at an event held at the British Academy last year.  Scroll down to the foot of the page for the links to the audio files: &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.britac.ac.uk/events/2010/classicsandclass/index.cfm"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;www.britac.ac.uk/events/2010/classicsandclass/index.cfm&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-4433950252448585342?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/4433950252448585342'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/4433950252448585342'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2011/04/poetry-classics-and-class-online-talk.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-1439908068584270816</id><published>2011-02-22T20:38:00.002Z</published><updated>2011-02-22T20:48:17.839Z</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Libraries at Risk&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;A podcast of of a seminar by David McKitterick, Librarian at Trinity College, Cambridge given at the Institute of Historical Research, last November:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Abstract: &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: 13px; line-height: 19px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Several recent cases have drawn attention to the fragility of libraries as we know them - both large and small. In a world of changing attitudes to books, as well as perennial problems of cash shortage, how can library historians in particular contribute to a debate that will become even more urgent in the next few years?&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: 13px; line-height: 19px; "&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://bit.ly/flZi5K"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;http://bit.ly/flZi5K&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;For a complete list of podcasts on a wide range of historical topics available from the IHR:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.history.ac.uk/digital/podcasts"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;www.history.ac.uk/digital/podcasts&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;a href="http://www.history.ac.uk/digital/podcasts"&gt;&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-1439908068584270816?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1439908068584270816'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1439908068584270816'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2011/02/libraries-at-risk-podcast-of-of-seminar.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2637671173193665147</id><published>2011-01-28T21:23:00.002Z</published><updated>2011-01-28T21:29:02.197Z</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;Lessons from Howard Zinn&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, Times, 'Times New Roman', serif; border-collapse: collapse; line-height: 18px; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Anthony Arnove, writes about Howard Zinn, activist and author of &lt;i&gt;The Peoples' History of the United States &lt;/i&gt;for&lt;i&gt; Yes Magazine&lt;/i&gt;:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, Times, 'Times New Roman', serif; border-collapse: collapse; line-height: 18px; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;"But Howard added a distinctive element to these arguments by embodying the understanding that the process of struggle, the shared experience of being part of work alongside and for others, is the most rewarding, fulfilling, and meaningful life one can live. The sense of solidarity he had with people in struggle, the sense of joy he had in life, was infectious.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Read the complete article &lt;a href="http://bit.ly/dO9MyP"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;here&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;http://bit.ly/dO9MyP&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2637671173193665147?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2637671173193665147'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2637671173193665147'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2011/01/lessons-from-howard-zinn-anthony-arnove.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-3295271063581248930</id><published>2011-01-28T14:13:00.002Z</published><updated>2011-01-28T14:20:40.676Z</updated><title type='text'></title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Arial; font-size: 14px; border-collapse: collapse; color: rgb(128, 128, 128); line-height: 21px; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; "&gt;&lt;h4 style="margin-top: 1.33em; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 22px; font-weight: bold; line-height: 22px; outline-style: none; outline-width: initial; outline-color: initial; display: block; color: rgb(211, 211, 211); font-family: Arial; text-align: left; "&gt;&lt;a rel="nofollow" class="yiv1074420149tpl-content-highlight" target="_blank" href="http://christiebooks.us2.list-manage.com/track/click?u=3107f251ffe372f62ebbeeca9&amp;amp;id=38b98eeee4&amp;amp;e=2e078752e3" style="line-height: 1.2em; text-decoration: underline; outline-style: none; outline-width: initial; outline-color: initial; font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;Anarchist Film Archive&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;: the first online archive and database of anarchist and libertarian cinema, film and video&lt;/span&gt;&lt;/h4&gt;&lt;span class="Apple-style-span"  style="color:#000000;"&gt;Christie Books has just announced the new online &lt;i&gt;Anarchist Film Archive&lt;/i&gt;.  &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Arial; font-size: 14px; border-collapse: collapse; color: rgb(128, 128, 128); line-height: 21px; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; "&gt;&lt;span class="Apple-style-span"  style="color:#000000;"&gt;The  archive is free to access and contains a growing collection of nearly 1000 difficult-to-find feature films, documentaries, interviews, talks and short videos — all with anarchist or libertarian-oriented themes of education, justice, resistance — and liberation. Complementing the archive is a comprehensive and regularly updated database of anarchist/libertarian films compiled and maintained by Santiago-Juan Navarro. The archive is easy to use: you can  scroll through the titles, search for a particular film in the ‘Search’ box or search by tag. You can also embed individual films in blogs, facebook pages etc.&lt;br /&gt;&lt;br /&gt;Click here to launch &lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#000000;"&gt;&lt;a rel="nofollow" class="yiv1074420149tpl-content-highlight" target="_blank" href="http://christiebooks.us2.list-manage2.com/track/click?u=3107f251ffe372f62ebbeeca9&amp;amp;id=44deb66e32&amp;amp;e=2e078752e3" style="line-height: 1.2em; text-decoration: underline; outline-style: none; outline-width: initial; outline-color: initial; font-weight: bold; "&gt;&lt;/a&gt;&lt;a href="http://bit.ly/fmNEZh"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;The Anarchist Film Archive&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#000000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;http://bit.ly/fmNEZh&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-3295271063581248930?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3295271063581248930'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3295271063581248930'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2011/01/anarchist-film-archive-first-online.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2176238245433905342</id><published>2011-01-22T10:15:00.002Z</published><updated>2011-01-22T10:26:04.638Z</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Arial, sans-serif; font-size: 14px; line-height: 20px; "&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, sans-serif; line-height: 20px; "&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;Photography and Memory&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, sans-serif; font-size: 14px; line-height: 20px; "&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;Near the top of my ever-growing "to read" list is Andrea Noble's &lt;i&gt;Photography and Memory in Mexico: Icons of Revolution&lt;/i&gt; which explores a number of the famous photographic images made during the 1910-1920 revolution. Andrea analyses a small, but carefully chosen selection of photographs which were repeatedly reproduced across a range of media in the aftermath of the conflict, to reveal some "compelling stories about cultural memory and identity in the twentieth century and into the twenty-first century".&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="font-family:Arial, sans-serif;font-size:130%;"&gt;&lt;span class="Apple-style-span" style="font-size: 14px; line-height: 20px;"&gt;a more detailed outline of the book  can be found on the &lt;a href="http://www.manchesteruniversitypress.co.uk/catalogue/book.asp?id=1204810"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;Manchester University Press website&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="font-family:Arial, sans-serif;font-size:130%;"&gt;&lt;span class="Apple-style-span" style="font-size: 14px; line-height: 20px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="font-family:Arial, sans-serif;font-size:130%;"&gt;&lt;span class="Apple-style-span" style="font-size: 14px; line-height: 20px;"&gt;A list of Andrea's books and journal articles can be read &lt;a href="http://www.dur.ac.uk/mlac/spanish/staff/display/?id=656"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;here&lt;/span&gt;&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="font-family:Arial, sans-serif;font-size:130%;"&gt;&lt;span class="Apple-style-span" style="font-size: 14px; line-height: 20px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2176238245433905342?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2176238245433905342'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2176238245433905342'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2011/01/photography-and-memory-near-top-of-my.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-3305568014550859958</id><published>2010-11-20T14:58:00.002Z</published><updated>2010-11-20T15:05:07.561Z</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Mark Twain - autobiography storms the US best-sellers charts&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;One hundred years after his death,  the first volume of Mark Twain's autobiography has just been published and is now rapidly moving up the New York Times best-seller list - read a short review by Charles R Larson on &lt;/span&gt;&lt;a href="http://www.counterpunch.org/larson11192010.html"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Counterpunch&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-3305568014550859958?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3305568014550859958'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3305568014550859958'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/11/mark-twain-autobiography-storms-us-best.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-6738790746522940745</id><published>2010-11-15T08:12:00.004Z</published><updated>2010-11-15T08:37:41.723Z</updated><title type='text'></title><content type='html'>&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;The Re-enchantment of Place&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Ken Worpole (author of the ground-breaking book &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Dockers and Detectives&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;) provides a short over-view of a new book: &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Towards Re-enchantment: Place and Its Meanings&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;,&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 23px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;edited by Gareth Evans and Di Robson, (Artevents, £9.99). This collection of essays and poems about visiting places which are beyond the reach of the car provides new insights into the landscape and history of Britain:  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 23px; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 23px; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"   style="  ;font-family:Arial, Helvetica, 'Bitstream Vera Sans', sans-serif;font-size:14px;"&gt;"...&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"   style="  line-height: 23px; font-family:Arial, Helvetica, 'Bitstream Vera Sans', sans-serif;font-size:14px;"&gt;in the 19th and early 20th centuries, Essex provided a home to a variety of metropolitan social reform projects employing the vocabulary of the land colony, where under strict conditions, or in a spirit of political zeal, new lives might be moulded. These included the Hadleigh Farm Colony (founded1891, Salvation Army), Mayland Colony (1896, Socialist), Purleigh Colony (1896, Tolstoyan Anarchist), Ashingdon Colony (1897, Tolstoyan Anarchist), Wickford Colony, (Tolstoyan Socialist), Laindon Farm Colony (1904, Socialist/Municipal). Even today, though, there are still a lot of idealistic initiatives in the county – religious, ecological, social – which mainstream politics ignores, and long preceded, and will long outlast, ‘the Big Society’, if not the playing fields of Eton."&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 23px; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"   style="  ;font-family:Arial, Helvetica, 'Bitstream Vera Sans', sans-serif;font-size:14px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 23px; "&gt;&lt;span class="Apple-style-span"  style="font-family:'times new roman';"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"   style="  ;font-family:Arial, Helvetica, 'Bitstream Vera Sans', sans-serif;font-size:14px;"&gt;&lt;i&gt;Towards Re-enchantment&lt;/i&gt; includes essays by &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"   style="  line-height: 23px; font-family:Arial, Helvetica, 'Bitstream Vera Sans', sans-serif;font-size:14px;"&gt;Jay Griffiths, Kathleen Jamie, Richard Mabey, Robert Macfarlane, Jane Rendell, Iain Sinclair and Ken Worpole, and &lt;/span&gt;&lt;span class="Apple-style-span"   style="  line-height: 23px; font-family:Arial, Helvetica, 'Bitstream Vera Sans', sans-serif;font-size:14px;"&gt;poems by Elizabeth Bletsoe, Lavinia Greenlaw, Alice Oswald and Robin Robertson.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="  line-height: 23px; font-family:Arial, Helvetica, 'Bitstream Vera Sans', sans-serif;font-size:14px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="  line-height: 23px; font-family:Arial, Helvetica, 'Bitstream Vera Sans', sans-serif;font-size:14px;"&gt;Read Ken's much longer feature on the  &lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;a href="http://www.opendemocracy.net/ourkingdom/ken-worpole/re-enchantment-of-place-book-about-britain-is-launched?utm_source=feedburner&amp;amp;utm_medium=twitter&amp;amp;utm_campaign=Feed%3A+opendemocracy+%28openDemocracy%29"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;Open Democracy&lt;/span&gt;&lt;/a&gt;.&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#330033;"&gt; &lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;website&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#330033;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="  line-height: 23px; font-family:Arial, Helvetica, 'Bitstream Vera Sans', sans-serif;font-size:14px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-6738790746522940745?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/6738790746522940745'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/6738790746522940745'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/11/re-enchantment-of-place-ken-worpole.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-1922769091867935658</id><published>2010-10-21T15:59:00.003+01:00</published><updated>2010-10-21T16:10:43.226+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span"   style="  border-collapse: collapse; line-height: 15px; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family:arial, helvetica, clean, sans-serif;font-size:13px;"&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 18px/normal Helvetica; "&gt;&lt;span style="line-height: 1.2em; outline-style: none; outline-width: initial; outline- color:initial;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;THE HIVE OF LIBERTY&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 14px/normal Helvetica; min-height: 17px; "&gt;&lt;b style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 14px/normal Helvetica; min-height: 17px; "&gt;Pamphlets were always the lifeblood of radical movements, so its good to see &lt;i&gt;The Hive of Liberty&lt;/i&gt; back in print: &lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 14px/normal Helvetica; min-height: 17px; "&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 14px/normal Helvetica; min-height: 17px; "&gt;&lt;b&gt;THE HIVE OF LIBERTY: &lt;/b&gt;&lt;b style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;THE LIFE &amp;amp; WORK OF THOMAS SPENCE (1750-1814)&lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 14px/normal Helvetica; min-height: 17px; "&gt;&lt;b style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;Edited by Keith Armstrong, with an introduction by Joan Beal and a new essay by Malcolm Chase&lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 14px/normal Helvetica; min-height: 17px; "&gt;&lt;span class="Apple-style-span"   style="font-family:Futura;font-size:100%;"&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px;font-size:12px;"&gt;&lt;span class="Apple-style-span"   style="font-family:Helvetica;font-size:130%;"&gt;&lt;span class="Apple-style-span"  style=" line-height: 16px;font-size:14px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 12px/normal Helvetica; "&gt;&lt;b style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;This reprint from the Thomas Spence Tryst is a celebration of that noted pioneer of people’s rights, pampleteer and poet Thomas Spence, born on Newcastle’s Quayside in turbulent times.&lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 12px/normal Helvetica; "&gt;&lt;b style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt; &lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 12px/normal Helvetica; "&gt;&lt;b style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;Spence served in his father’s netmaking trade from the age of ten but went on later to be a teacher at Haydon Bridge Free Grammar School and at St. Ann’s Church in Byker under the City Corporation. In 1775, he read his famous lecture on the right to property in land to the Newcastle Philosophical Society, who voted his expulsion at their next meeting. He claimed to have invented the phrase ‘The Rights of Man’ and chalked it in the caves at Marsden Rocks in South Shields in honour of the working-class hero ‘Blaster Jack’ who lived there.&lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 12px/normal Helvetica; "&gt;&lt;b style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 12px/normal Helvetica; "&gt;&lt;b style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;Spence even came to blows with famed Tyneside wood-engraver Thomas Bewick over a political issue, and was thrashed with cudgels for his trouble. &lt;/b&gt;&lt;b style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;From 1792, having moved to London, he took part in radical agitations, particularly against the war with France. He was arrested several times for selling his own and other seditious books and was imprisoned for six months without trial in 1794, and sentenced to three years for his &lt;i style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;Restorer of Society to its Natural State &lt;/i&gt;in 1801. Whilst politicians such as Edmund Burke saw the mass of people as the ‘Swinish Multitude’, Spence saw creative potential in everybody and broadcast his ideas in the periodical &lt;i style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;Pigs’ Meat.&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 12px/normal Helvetica; "&gt;&lt;b style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;He had a stall in London’s Chancery Lane, where he sold books and saloup, and later set up a small shop called &lt;i style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;The Hive of Liberty &lt;/i&gt;in Holborn.&lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 12px/normal Helvetica; "&gt;&lt;b style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;He died in poverty ‘leaving nothing to his friends but an injunction to promote his Plan and the remembrance of his inflexible integrity’.&lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "&gt;&lt;b style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 12px/normal Helvetica; "&gt;&lt;b style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;The Thomas Spence Trust has successfully campaigned for a commemorative plaque on the Quayside in Newcastle. It was unveiled on 21st June 2010, Spence's 260th birthday, with a number of talks, displays and events coinciding with it. &lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 12px/normal Helvetica; min-height: 14px; "&gt;&lt;span class="Apple-style-span"  style=" ;font-family:Futura;"&gt;&lt;i style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;PRICE £5     ISBN 1 871536 15 4&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 12px/normal Futura; "&gt;&lt;i style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;ORDERS (ADD £2 POSTAGE PER COPY) TO: THE THOMAS SPENCE TRUST, &lt;/i&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; font: normal normal normal 12px/normal Futura; "&gt;&lt;i style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;93 WOODBURN SQUARE, WHITLEY LODGE, WHITLEY BAY, TYNE &amp;amp; WEAR NE26 3JD, ENGLAND. TEL 0191 2529531.&lt;/i&gt;&lt;/p&gt;&lt;div&gt;&lt;i style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-1922769091867935658?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1922769091867935658'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1922769091867935658'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/10/hive-of-liberty-pamphlet-were-always.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-3927566958863169780</id><published>2010-09-27T23:38:00.002+01:00</published><updated>2010-09-27T23:42:51.159+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Libraries in a Digital Age&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="  line-height: 15px; font-family:arial, helvetica, clean, sans-serif;font-size:13px;"&gt;&lt;table cellspacing="0" cellpadding="0" border="0"   style="border-collapse: collapse; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px;  line-height: 1.2em; outline-style: none; outline-width: initial; outline- display: table; font-size:inherit;color:initial;"&gt;&lt;tbody  style="line-height: 1.2em; outline-style: none; outline-width: initial; outline- color:initial;"&gt;&lt;tr  style="line-height: 1.2em; outline-style: none; outline-width: initial; outline- display: table-row; vertical-align: inherit; color:initial;"&gt;&lt;td valign="top"  style="line-height: 1.2em; outline-style: none; outline-width: initial; outline- display: table-cell; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font: inherit; color:initial;"&gt;&lt;b  style="line-height: 1.2em; outline-style: none; outline-width: initial; outline- color:initial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Libraries in a Digital Age&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; is a one-day conference organised by the Association of Independent Libraries which will be held in the lecture theatre at the Royal Astronomical Society on Thursday 14 October.&lt;br /&gt;&lt;br /&gt;There will be presentations on social networking; the Oxford Google Books digitization partnership; the publishing industry; the future of public libraries; the knowledge commons and copyright. Conference participants will also be able to take part in a tour of Royal Astronomical Society Library.  &lt;/span&gt;&lt;/span&gt;&lt;div  style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline- color:initial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline- color:initial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Full programme details and booking form are available on the AIL website:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div  style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline- color:initial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;&lt;a href="http://www.independentlibraries.co.uk/news.htm"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;www.independentlibraries.co.uk/news.htm&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; &lt;/span&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-3927566958863169780?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3927566958863169780'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3927566958863169780'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/09/libraries-in-digital-age-libraries-in.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-8077361386582362977</id><published>2010-09-27T23:21:00.002+01:00</published><updated>2010-09-27T23:32:46.181+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;Cities Under Siege: the New Urban Militarism&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Stephen Graham's new book &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Cities Under Siege&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; provides a p&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 22px; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;owerful exposé of how contemporary political violence now operates through the sites, spaces and infrastructures of everyday urban life. One recent example of this trend is examined by Steve, in an article for Open Democracy: "From Helmand to Merseyside: Unmanned drones and the militarisation of UK policing" &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 22px; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(124, 112, 108); line-height: 22px; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;further details on Steve's book on the&lt;/span&gt; &lt;/span&gt;&lt;a href="http://www.versobooks.com/books/365-cities-under-siege"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;Verso website&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(124, 112, 108); line-height: 22px; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="color:#7C706C;"&gt;&lt;span class="Apple-style-span" style="line-height: 22px; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;His article can be read on&lt;/span&gt; &lt;/span&gt;&lt;a href="http://www.opendemocracy.net/ourkingdom/steve-graham/from-helmand-to-merseyside-military-style-drones-enter-uk-domestic-policing"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;Open Democracy&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-8077361386582362977?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8077361386582362977'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8077361386582362977'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/09/cities-under-siege-new-urban-militarism.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2111671119085789312</id><published>2010-09-08T07:56:00.002+01:00</published><updated>2010-09-08T08:12:47.483+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Housing the Urban Poor&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;On the &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;New Internationalist&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; website, Jeremy Seabrook describes a &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 21px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;scheme in Bangladesh which has helped garment-workers, maidservants, rickshaw drivers, construction workers, vendors and labourers transform their lives through the building of multi-storey apartments for the working poor. "In the process, the lives of the people have been transformed: they acquired new skills, their livelihoods were enhanced by co-operative working, microcredit and social education, and their savings used to acquire land, on which the first block of flats has now reached its full six storeys in Mirpur in the north of Dhaka."&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 21px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 21px; "&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;"The biggest obstacle to the realization of the project has been our absence of corruption. By refusing to give bribes, we have been our own worst enemy."&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 21px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 21px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Read the full article in the &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.newint.org/features/web-exclusive/2010/09/07/housing-the-urban-poor/"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;New Internationalist&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: FreeSerif, Cambria, Georgia, serif; line-height: 21px; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: FreeSerif, Cambria, Georgia, serif; font-size: 15px; line-height: 21px; "&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2111671119085789312?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2111671119085789312'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2111671119085789312'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/09/housing-urban-poor-on-new.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-6264660729662689042</id><published>2010-09-03T23:03:00.002+01:00</published><updated>2010-09-03T23:56:03.122+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Banned Books on tour&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The London Libraries' "reader promotion &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Banned Books&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; will go live in 28 Library Services across the country, including 16 in London on 25 September." in an attempt to raise awareness of censorship and the need for freedom of expression. Participating libraries will display sets of 50 books that have been banned or challenged in this country or overseas, and host discussions and author talks, around these themes and present banned music.  A pre-event panel discussion on censorship in public libraries will be held on September 15 at the Free Word Centre, Farringdon Road, London. Participants include Lisa Appignanesi, author and president of English PEN; Tony Lacey, publishing director at Penguin, and Douglas Murray author of &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Hate on the State&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Further information on &lt;/span&gt;&lt;a href="http://www.banned-books.org.uk/"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;www.banned-books.org.uk&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;and from &lt;/span&gt;&lt;a href="http://www.indexoncensorship.org/2010/08/banned-books/"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Index on Censorship&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;  &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-6264660729662689042?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/6264660729662689042'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/6264660729662689042'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/09/banned-books-on-tour-london-libraries.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-5750045527769222608</id><published>2010-09-03T09:24:00.002+01:00</published><updated>2010-09-03T09:38:05.927+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;Music is a Crime&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Demetra Kotouza explores  the origins and development of &lt;i&gt;Rebetiko&lt;/i&gt; for &lt;i&gt;Mute Magazine&lt;/i&gt;: "&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 18px; -webkit-border-horizontal-spacing: 8px; -webkit-border-vertical-spacing: 8px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;a kind of Greek, urban, subcultural music that developed around ports and urban centres in the end of the 19th and up to the first half of the 20th century, with the bouzouki as its main instrument. Today's rebetiko enthusiasts are fascinated not only with the way it combines oriental modes and rhythms with European harmonies, or by musicians' passion and virtuosic skill, but even more so by the defiant, hedonistic spirit of the culture it was born in."&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 18px; -webkit-border-horizontal-spacing: 8px; -webkit-border-vertical-spacing: 8px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 18px; -webkit-border-horizontal-spacing: 8px; -webkit-border-vertical-spacing: 8px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Its a long, and times densely packed article, but fascinating because of the way it links music, not just to social issues but to the daily struggles of the poor, the exploited and the marginalised in Greek society. Footnotes for further reading, and links to websites featuring examples of &lt;i&gt;Rebetiko&lt;/i&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; line-height: 18px; -webkit-border-horizontal-spacing: 8px; -webkit-border-vertical-spacing: 8px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Read the whole article on &lt;a href="http://www.metamute.org/en/content/music_is_the_crime_that_contains_all_others"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;Meta Mute&lt;/span&gt;&lt;/a&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-5750045527769222608?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/5750045527769222608'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/5750045527769222608'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/09/music-is-crime-demetra-kotouza-explores.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-8626910911465582682</id><published>2010-09-02T08:34:00.001+01:00</published><updated>2010-09-02T08:38:40.545+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Google's All-Seeing Eye&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;William Gibson: "&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: 15px; line-height: 22px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;In Google, we are at once the surveilled and the individual retinal cells of the surveillant, however many millions of us, constantly if unconsciously participatory. We are part of a post-geographical, post-national super-state, one that handily says no to China. Or yes, depending on profit considerations and strategy. But we do not participate in Google on that level. We’re citizens, but without rights."&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: 15px; line-height: 22px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Read the full text of the article "Google's Earth" at the &lt;/span&gt;&lt;a href="http://www.nytimes.com/2010/09/01/opinion/01gibson.html?_r=1"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;New York Times&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: georgia, 'times new roman', times, serif; font-size: 15px; line-height: 22px; "&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-8626910911465582682?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8626910911465582682'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8626910911465582682'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/09/googles-all-seeing-eye-william-gibson.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-7369006193468493927</id><published>2010-08-25T09:57:00.003+01:00</published><updated>2010-08-25T10:07:31.308+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;Media Commons&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;At last an alternative to the hated system of peer-review for academic journals is being developed in an experiment inititiated by Media Commons in co-operation with the Shakespeare Quarterly, which intends to use the principle of 'crowd-sourcing'  rather than the existing 'double-blind' peer review.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Read more in the&lt;/span&gt; &lt;a href="http://chronicle.com/article/Leading-Humanities-Journal/123696/"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;Chronicle of Higher Education&lt;/span&gt;&lt;/a&gt; &lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;and on&lt;/span&gt; &lt;a href="http://mediacommons.futureofthebook.org/"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;Media Commons&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-7369006193468493927?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/7369006193468493927'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/7369006193468493927'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/08/media-commons-at-last-alternative-to.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-897670439763968941</id><published>2010-08-25T09:46:00.003+01:00</published><updated>2010-08-25T09:55:33.865+01:00</updated><title type='text'></title><content type='html'>&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;What was that Programme?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;BBC researchers have started work on a project to analyse thousands of archive copies of the Radio Times as part of a plan named "&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 18px; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;BBC Genome" which is intended to provide a comprehensive and easy-to-use online catalogue of the BBC's programmes, including when and where they were first aired. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 18px; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;In September, the project will begin the massive task of digitising more than 80 years' worth of broadcast records, including approximately 400,000 pages of &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;em&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Radio Times&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; covering 3m programmes and 300m words.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 18px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(2, 7, 39); line-height: 18px; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Read the full story on&lt;/span&gt; &lt;/span&gt;&lt;a href="http://www.digitalspy.co.uk/broadcasting/news/a266575/project-to-list-every-bbc-show-aired.html"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Digital Spy&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span"   style="  color: rgb(2, 7, 39); line-height: 18px; font-family:Arial, sans-serif;font-size:14px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-897670439763968941?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/897670439763968941'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/897670439763968941'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/08/what-was-that-programme-bbc-researchers.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-7944583353137158989</id><published>2010-08-12T23:01:00.007+01:00</published><updated>2010-08-12T23:19:49.126+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;b&gt;The Rat Pack&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;A slide show of 25 "never-seen" photos of Dean Martin, Sammy Davis Junior, Frank Sinatra and others - courtesy of &lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;a href="http://www.life.com/image/first/in-gallery/46451"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Life Magazine&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 14px; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;"He wears the mask of an armchair philanderer with bottles and broads on his mind and seven kids in his swimming pool — a character with obvious appeal for both sexes. Highball glass in hand, he always looks faintly surprised to find the camera upon him, and his first bleary, self-deprecating crack establishes that neither he nor his audience can be quite sure what he will do next." —&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;From LIFE's review of &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;The Dean Martin Show&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;, 5/26/1967.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;[thanks to Sophie Willard for the tip]&lt;/span&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-7944583353137158989?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/7944583353137158989'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/7944583353137158989'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/08/rat-pack-slide-show-of-25-never-seen.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-897810360997841538</id><published>2010-07-20T22:30:00.004+01:00</published><updated>2010-07-20T22:41:15.165+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;b&gt;J&lt;/b&gt;&lt;b&gt;ohann Hari reviews Chomsky: &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;b&gt;Hopes and Prospects&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 15px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;"This is a book woven through with hope and awe at all the people who slip beyond imperial control and establish real democracy. Chomsky's strongest model – and the world's – is Bolivia's experiment with radical democracy. After 30 years of having neoliberalism forced on them by the West, including the cost of water pushed beyond their grasp, the Bolivian people elected the first indigenous leader since the European conquests. Since then, it has had the fastest fall in poverty and the most rapid growth in Latin America."&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style=" line-height: 15px;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="color:#333333;"&gt;&lt;span class="Apple-style-span" style=" line-height: 15px;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;in&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.independent.co.uk/arts-entertainment/books/reviews/hopes-and-prospects-by-noam-chomsky-2027378.html"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;The Independent&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-897810360997841538?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/897810360997841538'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/897810360997841538'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/07/johann-hari-reviews-chomsky-hopes-and.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2861442300150741555</id><published>2010-07-17T13:27:00.003+01:00</published><updated>2010-07-17T13:46:23.140+01:00</updated><title type='text'></title><content type='html'>&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;The works of Gerard Winstanley&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Michael Braddick reviews the new two volume publication of the works of the Gerard Winstanley edited by Thomas Corns, Ann Hughes and David Lowenstein. Published by Oxford University Press, this two volume work brings together the writings of Winstanley, who during the English Civil War provided a detailed theory of a kind of Christian anarchism, and combined theory with action as one of the key players in the Digger movement, which advocated direct action by the landless poor to takeover and cultivate the wastes and commons.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 16px; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;"We justifie our act of digging upon that hill, to make the earth a common treasurie. First, because the earth was made by Almighty God, to be a common treasury of livelihood for whole mankind in all his branches, without respect of persons; and that not any one according to the Word of God (which is love) the pure Law of rightousnesse, ought to be Lord or landlord over another, but whole mankind was made equall and knit into one body by one spirit of love, which is Christ in you the hope of glory, even all the members of mans body, called the little world, are united into equality of love, to preserve the whole body."&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: medium; line-height: 16px;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: medium; line-height: 16px;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Michael Braddick's articulate review is available free online on the &lt;/span&gt;&lt;a href="http://tinyurl.com/39sxkjj"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Times Literary Supplement&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; website. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2861442300150741555?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2861442300150741555'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2861442300150741555'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/07/works-of-gerard-winstanley-michael.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-8591310800769310363</id><published>2010-06-19T16:31:00.003+01:00</published><updated>2010-06-19T16:43:46.387+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;Jose Saramago dies &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Nobel prize-winning Portugese novelist Jose Saramago has died at the age of 87.  Always on the side of the poor and the oppressed, and black-listed after a right-wing coup in 1975, he wrote novels that "combine surrealist experimentation with a kind of sardonic peasant pragmatism.&lt;/div&gt;&lt;div&gt;There is a full obituary in the &lt;a href="http://tinyurl.com/3yw3ntp"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;New York Times&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-8591310800769310363?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8591310800769310363'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8591310800769310363'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/06/jose-saramago-dies-nobel-prize-winning.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-3414105912691103563</id><published>2010-06-14T18:23:00.002+01:00</published><updated>2010-06-14T18:30:29.428+01:00</updated><title type='text'></title><content type='html'>&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;Policing the Public Gaze&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;A report on the "growing restriction on citizen photography" from the Manifesto Club - for Freedom in Everyday Life - is now available as a &lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;a href="http://www.manifestoclub.com/photographyreport"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;pdf download&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;p style="text-align: left;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10px/normal Georgia; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;" In recent years photography appears to be resurfacing as a site of heated political contestation. This comes amid a flood of arbitrary and often downright bizarre interpretations of privacy, security and public order rules, by police, community safety wardens, private security guards or self appointed ‘jobsworths’. Decisions to prevent photography in public places often appear capricious and overbearing, enforced through intimidation rather than lawful authority, with official explanations after the event simply adding insult to injury. In a climate of fear and &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: left;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10px/normal Georgia; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;suspicion, fuelled by alarming reports of terrorist alerts and predatory paedophiles, &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: left;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10px/normal Georgia; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;uncertainties around the limits of personal freedom appear to be making room for &lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 10px; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;a new and muddled form of authoritarianism."&lt;/span&gt;&lt;/span&gt;&lt;span style="font: 7.0px Helvetica"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: left;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 7px/normal Helvetica; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-3414105912691103563?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3414105912691103563'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3414105912691103563'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/06/policing-public-gaze-report-on-growing.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2509857215700742657</id><published>2010-06-08T09:03:00.003+01:00</published><updated>2010-06-08T09:39:33.056+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Crowd Science and the Knowledge Commons&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;In a recent article published in the &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Times Literary Supplement, &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt; "What are Universities For?" (7 May 2010) Keith Thomas defends the British university system from the threat of cuts and changes by arguing that:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;"&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-style: italic; font-family:'Lucida Grande', Verdana, Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;From medieval seminary to the consultancy campus, universities have served the needs of society..." &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:'Lucida Grande', Verdana, Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;and that "&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;the humanities offer an indispensable antidote to the vices which inevitably afflict a democratic, capitalist society. They counter the dumbing down of the media by asserting the complexity of things; and they challenge the evasiveness and mendacity of politicians by placing a premium on intellectual honesty".&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'Lucida Grande', Verdana, Arial, Helvetica, sans-serif;"&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'Lucida Grande', Verdana, Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Like many other recent defences of Academia, Keith's argument will not sustain the universities because it fails to offer any real vision of the future role of the universities within society, other than a continuation of their current role as gatekeepers for privilege, definers and guardians of what consitutes 'knowledge', accomplices in military research, manufacturers of consent, and seedbed for profit-driven technologies.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:'Lucida Grande', Verdana, Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" color: rgb(17, 17, 17); font-family:'Lucida Grande', Verdana, Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Yet there is a real opportunity for universities to transform themselves into the beating heart of a new knowledge commons, to work with people in the whole community rather than link themselves to the privileged elites commerce, industry, media and the state. Just a hint of what might be achieved is seen in this recent article&lt;/span&gt; &lt;/span&gt;&lt;a href="http://chronicle.com/article/The-Rise-of-Crowd-Science/65707"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;"Crowd Science Reaches New Heights"&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;, published in &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;The Chronicle of Higher Education&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;.   &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"   style="font-family:'Lucida Grande', Verdana, Arial, Helvetica, sans-serif;color:#111111;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" color: rgb(17, 17, 17); font-family:'Lucida Grande', Verdana, Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;     &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2509857215700742657?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2509857215700742657'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2509857215700742657'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/06/crowd-science-and-knowledge-commons-in.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-3829006972146768791</id><published>2010-05-31T12:04:00.002+01:00</published><updated>2010-05-31T12:24:24.327+01:00</updated><title type='text'></title><content type='html'>&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Libraries&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;As local government works out how to deal with planned (and still to be announced) cuts in expenditure, there are already indications that the slow war of attrition which saw more than 30 "service points" closed in the last year for which figures are available, is about to quicken its pace. Library authorities in Belfast have already announced plans to close 10 libraries in Belfast, while   Hampshire Libraries have plans to cut 60 library jobs, according to a recent article in the Bookseller.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Yet access to books and libraries is important for both individual and communities, so it is good to know that writer Nadine Gordimer will be emphasising the important role of both in her forthcoming talk at the Hay Festival:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;a href="http://www.guardian.co.uk/books/2010/may/30/nadime-gordimer-hay-hamelin-books"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;http://www.guardian.co.uk/books/2010/may/30/nadime-gordimer-hay-hamelin-books&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-3829006972146768791?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3829006972146768791'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3829006972146768791'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/05/libraries-as-local-government-works-out.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-9214809551386361202</id><published>2010-05-23T14:37:00.006+01:00</published><updated>2010-05-24T08:10:30.062+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;Snap?&lt;/span&gt;&lt;/span&gt;&lt;/b&gt; &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;In the &lt;i&gt;New York Times&lt;/i&gt;, Pat Ryan draws some interesting comparisons between Lisabeth Salander, the anti-heroine of &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;The Girl with the Dragon Tattoo,&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; and the fiercely independent character Pippi Longstocking created by Swedish author Astrid Lindgren.  This is not just a casual exercise as &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Tattoo&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; novelist Steig Larson told his publisher when delivering the manuscript for the first book in his &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;Millennium&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt; trilogy: &lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;"&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style=" line-height: 22px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;My point of departure was what Pippi Longstocking would be like as an adult. Would she be &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;called a sociopath because she looked upon society in a different way and has no social &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;competence?&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;”&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Read the complete article in the &lt;a href="http://www.nytimes.com/2010/05/23/weekinreview/23ryan.html?partner=rssnyt&amp;amp;emc=rss"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;NYT&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-9214809551386361202?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/9214809551386361202'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/9214809551386361202'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/05/snap-in-new-york-times-pat-ryan-draws.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-4577531348499485067</id><published>2010-05-08T11:43:00.004+01:00</published><updated>2010-05-09T09:12:55.874+01:00</updated><title type='text'></title><content type='html'>&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Love Among the Butterflies&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Peter Marren, author of the forthcoming &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bugs Britannica&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; looks at the future for British butterflies and the growth in butterfly research in a review of the recently published book &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;The Butterflies of Britain and Ireland&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; by Jeremy Thomas and Richard Lewington.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Merren quotes Thomas as reading about 3,000 scientific papers on British butterflies that have been published since 1990 during the research for this boom - which leads me to ask why this important body of research should be confined to academia?&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Access to knowledge is currently structured in such a way as to exclude ordinary people. We currently have a two tier library structure, where special libraries serve the academic community and bolster privilege by keeping the rest of the population - the people who pay for the research - excluded by a series of boundaries and borders. It is  time to open scientific research up to everyone.  Small steps might have been made towards an open scientific community since the coming of the internet - but more can and should be done to create a new 'commons' for knowledge.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Read Peter Merren's review in the &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.telegraph.co.uk/earth/outdoors/7690751/Love-among-the-butterflies.html"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Daily Telegraph&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;also by Peter is a new article in &lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;The Scotsman&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;: "Why the insect world should be celebrated - even the dreaded midge" in which he discusses some of the different names given to insects which he discovered during research for &lt;i&gt;Bugs Britannica&lt;/i&gt;:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;"&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;We found, for example, around a dozen Scottish names for earwigs, among them clipshears, coachbell, forkie, gowlach, switchpool, and my favourite, twitch-ballock. There is an even richer batch of names for bumblebees, which I can remember were often called "bummie-bees" when I lived in north-east Scotland. I love the name "foggie-toddler" for the bee that "toddles" through the "fog" or grass to find its nest. And "sodger" or "red arsie" for the distinctive bee with a red tail."&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Read the rest of Peter's article &lt;a href="http://www.scotsman.com/features/Peter-Marren-Why-the-insect.6281320.jp"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;here&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-4577531348499485067?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/4577531348499485067'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/4577531348499485067'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/05/love-among-butterflies-peter-merren.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-3120133731351050480</id><published>2010-04-24T08:18:00.004+01:00</published><updated>2010-04-24T09:27:05.472+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="color:#FFFF33;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Radio Waves&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;I always have mixed feelings about radio programmes, and I certainly never thought I would be writing a post about  Laurence Llewlyn-Bowen, but on Sunday afternoon his '&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Escape to the Country&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;' slot on Radio 4 is about Feargus O'Connor and the &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.bbc.co.uk/programmes/b00s1pds"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Chartist Land Plan&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial, serif;"&gt;&lt;span class="Apple-style-span"  style="color:#330033;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 10px; "&gt;&lt;p style="margin-top: 0.3em; margin-right: 0px; margin-bottom: 0.6em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; font-weight: normal; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;"Our tendency to idealise the countryside hasn't always reflected the reality of rural life. But it provides a fascinating glimpse of our dreams and fears as a society.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0.3em; margin-right: 0px; margin-bottom: 0.6em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; font-weight: normal; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Out of the insurrection and radicalism of the 1840s came the idea of the countryside as a place of freedom and independence from the squalor and sweat of industrial servitude. In 1842 Feargus O'Connor, the charismatic leader of the Chartists, drew up the Land Plan, which showed how ordinary people across Britain, could plough their own furrow.For O'Connor a plot of rural land had the capacity to deliver financial independence and social dignity to the poor."&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0.3em; margin-right: 0px; margin-bottom: 0.6em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; font-weight: normal; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Although I am pleased to see Chartist land scheme given coverage - the intention of the Chartists was not to make the poor financially "independent and dignified" but an attempt to transform the relations of production at a time when the relentless enclosure of common land had impoverished vast numbers of people, who were being forced into wage slavery by the privitisation of land, state terror, and the transformation of the economy by industrial capitalism.  It will be interesting to see the context in which the programme sets the land scheme.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0.3em; margin-right: 0px; margin-bottom: 0.6em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; font-weight: normal; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; Also worth catching is the &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: normal; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Radio 3 '&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Words and Music&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;' programme on Sunday(10.15 pm), which brings together a series of short readings under the heading&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#330033;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.bbc.co.uk/programmes/b00s4y2s"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;The Rebel&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#330033;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 16px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;"From the Paris Commune to the American teenage rebellion of the 1950s, from home life to public life, David Bamber and Gillian Bevan explore the defiance of personal rebellion and collective uprising." &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 16px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 16px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;There is enough potential in this subject for a whole series of programmes, but I will be listening in particular to hear the reading of Louise Michel's poem 'L'oeillet rouge'&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-family:verdana, helvetica, arial, sans-serif;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 16px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 16px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;The real treat of the week for me, however, is the repeat of Richard Mabey's series of five essays on the theme of&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#330033;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;"&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.bbc.co.uk/programmes/b00mrxqb"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;The Scientist and the Romantic&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;"&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#330033;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;at 11.00 pm Monday to Friday on Radio 3 - flawless prose, in which Richard explores his lifelong relationship with science and nature.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 16px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#330033;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 16px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#330033;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 16px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#330033;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 16px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#330033;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 16px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#330033;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 16px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#330033;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="line-height: 16px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color:#330033;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"    style="font-family:verdana, helvetica, arial, sans-serif;font-size:100%;color:#494949;"&gt;&lt;span class="Apple-style-span"  style=" line-height: 16px;font-size:12px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-3120133731351050480?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3120133731351050480'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3120133731351050480'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/04/radio-waves-i-always-have-mixed.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2921028456626376160</id><published>2010-04-20T09:53:00.003+01:00</published><updated>2010-04-20T10:00:36.579+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;&lt;b&gt;The Divide Between People and Nature&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Peter Marren explores the social and legal forces that perpetuate and widen the gap between separation of people from nature in a perceptive article in the &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.independent.co.uk/life-style/health-and-families/features/getting-close-to-nature-its-time-to-grasp-the-nettle-1948703.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFF00;"&gt;Independent&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; "&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 15px; "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Personal, direct contact with nature is being discouraged by fusspots and busybodies and control freaks who seem to want to regulate every waking moment of our lives. You can read their disapproval in the small print under the welcome sign at the entrance. Look but don't touch. You know it's illegal."&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2921028456626376160?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2921028456626376160'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2921028456626376160'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/04/divide-between-people-and-nature-peter.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-7855581808461261673</id><published>2010-04-08T22:49:00.002+01:00</published><updated>2010-04-08T22:54:27.062+01:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span" style="font-family: arial, helvetica, clean, sans-serif; font-size: 13px; line-height: 15px; "&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0cm; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; text-decoration: none; "&gt;&lt;b style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;Colin Ward Memorial/Celebration&lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0cm; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; text-decoration: none; "&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0cm; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; text-decoration: none; "&gt;&lt;b&gt;Five Leaves, the publisher of many of Colin's books have just circulated first details of the celebration/ memorial for Colin:&lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0cm; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; text-decoration: none; "&gt;&lt;b&gt; &lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0cm; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; text-decoration: none; "&gt;&lt;b&gt;"&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;span style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; font-style: normal; "&gt;On Saturday July 10&lt;/span&gt;&lt;sup style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;&lt;span style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; font-style: normal; "&gt;th&lt;/span&gt;&lt;/sup&gt;&lt;span style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; font-style: normal; "&gt; there will be a grand celebration/memorial meeting for Colin running from 2.00pm -5.00 pm at Conway Hall in London. Ken Worpole is officiating. The event is free and all are welcome."  &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0cm; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; text-decoration: none; "&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0cm; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; display: block; text-decoration: none; "&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;span style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; font-style: normal; "&gt;The event will include several speakers and music. Appropriately, given it was Colin, there will be displays of his past work, first editions and the like, as well as a large bookstall. Five Leaves is also  rushing through a new edition of &lt;/span&gt;&lt;i style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; "&gt;Goodnight Campers! A history of the British holiday camp&lt;/i&gt;&lt;span style="line-height: 1.2em; outline-style: none; outline-width: initial; outline-color: initial; font-style: normal; "&gt; (co-written with Dennis Hardy, one of the speakers) which had been planned before Colin died. &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-7855581808461261673?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/7855581808461261673'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/7855581808461261673'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/04/colin-ward-memorialcelebration-five.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-8262796710254206717</id><published>2010-03-18T21:11:00.004Z</published><updated>2010-03-18T21:28:07.267Z</updated><title type='text'></title><content type='html'>&lt;span style="font-family:arial;font-size:130%;color:#ffff00;"&gt;&lt;strong&gt;Election Special 2010&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Bristol Radical History Group do it again with a fantastic line-up of speakers and events during the run-up to the 2010 elections, which together provide "an essential guide to how we got the vote, where representational democracy has gone wrong and possible alternatives to party democracy."&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;The series of public lectures, debates, history walks and other events, will take place between 5 and 25 and finish with a mock election bonfire. Speakers include Dorothy Thompson, Keith Armstrong and Ian Bone.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Full details available on the BRHG website:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.brh.org.uk/election2010/index.html"&gt;&lt;span style="font-family:arial;color:#ffff00;"&gt;www.brh.org.uk/election2010/index.html&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-8262796710254206717?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8262796710254206717'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8262796710254206717'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/03/election-special-2010-bristol-radical.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-6277931167120429824</id><published>2010-02-12T22:03:00.003Z</published><updated>2010-02-13T13:20:08.071Z</updated><title type='text'></title><content type='html'>&lt;span style="font-size:130%;color:#ffff00;"&gt;&lt;strong&gt;Colin Ward&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;News has just broken that the writer Colin Ward has died. Colin's contribution to anarchism has been invaluable - he founded, edited and often wrote &lt;em&gt;Anarchy&lt;/em&gt; magazine for over ten years. In &lt;em&gt;Anarchy&lt;/em&gt; , and a whole series of books and hundreds of articles he wrote about the practical application of anarchist ideas to social organisation. and outlined anarchism as a sociological theory. He is probably best known for &lt;em&gt;Anarchy in Action&lt;/em&gt;, but every book he wrote provided new insights into the revolutionary potential of the way ordinary people organise and live their lives in the face of enromous odds. His books, &lt;em&gt;The Child in the City&lt;/em&gt; and &lt;em&gt;The Child in the Country &lt;/em&gt;demonstrate how children shape and remake their environment. He was an untiring promoter of anarchist approaches to education, in books such as &lt;em&gt;Talking Schools&lt;/em&gt;, and &lt;em&gt;Streetwork: the Exploding School,&lt;/em&gt; but in fact there was little about social organisation that he neglected. He made a major contribution to anarchist appraches to housing, documenting the history of squatting and self-building.&lt;br /&gt;&lt;br /&gt;He was a softly spoken man who was generous with his time towards other people, and who had the extraordinary gift of being able to explain complex ideas in a relaxed and easy-going style.&lt;br /&gt;&lt;br /&gt;There is a more detailed appreciation on the &lt;a href="http://fiveleavespublications.blogspot.com/2010/02/anarchist-writer-colin-ward-who-died-on.html"&gt;&lt;span style="color:#ffff00;"&gt;Five Leaves Blog&lt;/span&gt;&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-6277931167120429824?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/6277931167120429824'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/6277931167120429824'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/02/colin-ward-news-has-just-broken-that.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2554443522974585947</id><published>2010-01-26T11:56:00.002Z</published><updated>2010-01-26T12:07:42.319Z</updated><title type='text'></title><content type='html'>&lt;span style="font-size:130%;color:#ffff00;"&gt;&lt;strong&gt;The Essay&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;One of my favourite radio programmes is the fifteen minute late night slot on Radio 3 taken by &lt;em&gt;The Essay&lt;/em&gt;. Last week's linked essays 'Enlightenment Voices' by Kate Tunstall and Caroline Warman on French philospher and writer Diderot was spot on, introducing a comparatively neglected writer to a wider audience through his work. It also reminded me that Caroline wrote a lively piece on 'The ironic encounters of the Marquis de Sade and Jane Austen' a couple of years ago - well worth re-reading:&lt;br /&gt;&lt;a href="http://www.britac.ac.uk/events/2007/sade/warman.cfm"&gt;&lt;span style="color:#ffff00;"&gt;www.britac.ac.uk/events/2007/sade/warman.cfm&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2554443522974585947?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2554443522974585947'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2554443522974585947'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/01/essay-one-of-my-favourite-radio.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-672692228718646962</id><published>2010-01-21T23:31:00.002Z</published><updated>2010-01-21T23:39:12.082Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 51);font-size:130%;" &gt;Human Rights Watch - World Report 2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This is the 20th annual &lt;span style="font-style: italic;"&gt;World Report&lt;/span&gt; from Human Rights Watch, which covers the human rights situation in more than 90 countries.  Compiled in partnership with activists  in the country in question, this year's report also features a number of thematic essays  which look at related issues such as the intensifying attacks on Human Rights defenders and organisations, and the way health providers are becoming increasingly complicit in torture.  Read individual reports online or download the whole report as a PDF file:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.hrw.org/world-report-2010"&gt;&lt;span style="color: rgb(255, 255, 51);"&gt;www.hrw.org/world-report-2010 &lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-672692228718646962?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/672692228718646962'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/672692228718646962'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2010/01/human-rights-watch-world-report-2010.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-3869585589481209340</id><published>2009-12-20T09:51:00.002Z</published><updated>2009-12-20T10:32:08.531Z</updated><title type='text'></title><content type='html'>&lt;b style="font-family: arial;"&gt;&lt;span style="color: rgb(255, 255, 0);font-size:130%;" &gt;Lost London&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/b&gt;&lt;span style="font-family: arial;"&gt;John Carey reviews &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Lost London 1870-1945: English Heritage&lt;/span&gt;&lt;span style="font-family: arial;"&gt; by Philip Davies in the Sunday Times:&lt;br /&gt;'We think of cities as solid, dependable things, fixed points, enduring  landmarks. In reality, though, they are fluid, and as transient as a breath.  It is usually poets or preachers who tell us truths like these...'.&lt;br /&gt;&lt;br /&gt;Based on the English Heritage photo archive &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Lost  London&lt;/span&gt;&lt;span style="font-family: arial;"&gt; Davies, takes the reader on a 'tour of destitution, the maze of squalid streets and alleys around  Drury Lane and Clare Market that Kingsway put an end to, the labyrinths of  Bankside and Bermondsey, old Westminster, only a stone’s throw from  parliament, but notorious for its chronic poverty until well into the 20th  century, and the East End, three square miles of densely packed terraced  housing, known as the City of Dreadful Night.  The districts change but the  essential features remain the same: soot-blackened brick walls, sunless,  airless, treeless, grassless courts and yards, stone paving, kept  scrupulously clean, because hunger and want allow nothing to go to waste.'&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt;Read John Carey's perceptive review in full, on the &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Sunday Times&lt;/span&gt;&lt;span style="font-family: arial;"&gt; website: &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://tinyurl.com/yay6ux2"&gt;&lt;span style="color: rgb(255, 255, 51);"&gt;http://tinyurl.com/yay6ux2&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;[link shortened at tinyurl]&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-3869585589481209340?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3869585589481209340'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3869585589481209340'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/12/lost-london-john-carey-reviews-lost.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-6379438630274895380</id><published>2009-12-16T17:18:00.002Z</published><updated>2009-12-16T17:34:20.489Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;The Art of Not Being Governed&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;I've not read this yet, but it is one book which is going on my new year reading list: James Scott: &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;The Art of Not Being Governed&lt;/span&gt;&lt;span style="font-family: arial;"&gt;, recently reviewed in &lt;span style="font-style: italic;"&gt;The Boston Globe&lt;/span&gt; by Drake Bennett.  Its about an area of Asia which has been given the name of Zomia -  a 'rugged swath of Asia that for 2,000 years has remained culturally aloof from the traditional centers of power and the pull of empires. Its inhabitants, Asia’s “hill people,” have earned a reputation for egalitarianism, insurrection, and independence'.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt;From Drake's review: &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;'In Zomia’s small societies, with their simple technologies, anti-authoritarian tendencies, and oral cultures, Scott sees not a world forgotten by civilization, but one that has been deliberately constructed to keep the state at arm’s length. Zomia’s history, Scott argues, is a rejection of the mighty lowland states that are seen as defining Asia. He calls Zomia a “shatter zone,” a place where people go to escape the raw deal that complex civilization historically has been for those at the bottom: the coerced labor and conscription into military service, the taxation for wars and pharaonic building projects, the epidemic diseases that came with intensive agriculture and animal husbandry.'&lt;br /&gt;&lt;br /&gt;Its a fascinating subject - articulately reviewed.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt;Read the full review here:  &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://www.boston.com/bostonglobe/ideas/articles/2009/12/06/the_mystery_of_zomia/"&gt;&lt;span style="color: rgb(255, 255, 0);"&gt;www.boston.com/bostonglobe/ideas/articles/2009/12/06/the_mystery_of_zomia/&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-6379438630274895380?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/6379438630274895380'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/6379438630274895380'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/12/art-of-not-being-governed-ive-not-read.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-1749953407255018050</id><published>2009-11-12T08:35:00.003Z</published><updated>2009-11-12T10:09:42.713Z</updated><title type='text'></title><content type='html'>&lt;span style="color: rgb(255, 255, 51);font-family:arial;font-size:130%;"  &gt;&lt;span style="font-weight: bold;"&gt;The Spectator&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;An interesting series of articles in &lt;/span&gt;&lt;a style="font-family: arial;" href="http://www.spectator.co.uk/essays/all/5504183/reaching-through-the-iron-curtain.thtml"&gt;&lt;span style="font-style: italic;"&gt;The Spectator&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:arial;"&gt; (7 November issue) which dredge through the back history of the Labour Party, and the attitude of many of its key figures to the Soviet Union during the 'Cold War'.  Communist Party influence inside the party is also examined.  No real surprises, as most of it was common currency in the mainstream press at the time, although there is some interesting new detail.  What has never really been examined, however, is the other tendency within the Labour Party during the Cold War - sometimes called 'Atlanticist' tendency, a faction which owed its greatest loyalty to US Foreign Policy and the military-industrial-political networks spawned by the US.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;This rather sprawling and ill-defined faction became the focus of  a series of articles commissioned by the &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;Sunday Times&lt;/span&gt;&lt;span style="font-family:arial;"&gt; in 1972 as  part of its series on the 'Unofficial History of the Twentieth Century'.  The journalists discovered that "leading Labour politicians had been advising and deriving support from organisations subsequently shown to be set up and financed by the CIA".  After the articles were written, expensive artwork was prepared and a final draft  submitted to the editor for approval.  Although the &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;Sunday Times&lt;/span&gt;&lt;span style="font-family:arial;"&gt; legal advisers had cleared the  text for libel, the editor pulled the plug on publication, commenting "these are the people we support".  &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;The &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;Sunday Times&lt;/span&gt;&lt;span style="font-family:arial;"&gt; self-censorship was exposed to a wider audience in 1974 with the publication of the articles including some of the prepared artwork in a report by Radical Research Services that looked like a copy of the &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;Sunday Times Magazine&lt;/span&gt;&lt;span style="font-family:arial;"&gt;.  The ink had still not dried when the Sunday Times obtained an injunction to prevent distribution alleging 'breach of copyright' in respect of the art-work used.  Luckily a few copies survive.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;My guess is that you won't be reading about this in &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;The Spectator&lt;/span&gt;&lt;span style="font-family:arial;"&gt;, but if you take a look at the Working Class Movement Library website, you can read a more detailed account of the whole affair. Proving once again the importance of independent libraries acting as the 'memory' of the community when a large slice of what really happened is completely written out of mainstream history.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;The Working Class Movement Library:  &lt;/span&gt;&lt;a style="font-family: arial;" href="http://www.wcml.org.uk/contents/international/cold-war/the-atlanticist-tendency-of-the-labour-party/"&gt;&lt;span style="color: rgb(255, 255, 0);"&gt;www.wcml.org.uk&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-1749953407255018050?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1749953407255018050'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1749953407255018050'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/11/spectator-interesting-series-of.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-8595984451910251541</id><published>2009-10-31T09:08:00.004Z</published><updated>2009-11-12T08:35:19.119Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-size:130%;" &gt;&lt;span style="font-family:arial;"&gt;New Issue of &lt;/span&gt;&lt;/span&gt;&lt;span style="font-style: italic; font-weight: bold; color: rgb(255, 255, 0);font-family:arial;font-size:130%;"  &gt;Radical Anthropology Journal&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;A new issue of the &lt;span style="font-style: italic;"&gt;Radical Anthropology Journa&lt;/span&gt;l is now available as a free pdf download.  This issue is themed around the idea of 'A Willingness to Share" and includes an interview with  Kate Pickett, co-author of the new book &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;Spirit Level&lt;/span&gt;&lt;span style="font-family:arial;"&gt; 'Why inequality is bad for you'; Ana Lopes asks 'Why hasn't anthropology changed the world"; Sarah Blaffer Hrdy discusses 'How mothers and others make us human'; lots of other good stuff on Scottish ballads, herbalism and so-called 'green capitalism':&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-family: arial; color: rgb(255, 255, 0);" href="http://www.radicalanthropologygroup.org/"&gt;www.radicalanthropologygroup.org&lt;/a&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-8595984451910251541?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8595984451910251541'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8595984451910251541'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/10/new-issue-of-radical-anthropology.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2760395788384215240</id><published>2009-10-17T08:28:00.002+01:00</published><updated>2009-10-17T08:36:22.229+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 51); font-family: arial;font-size:130%;" &gt;&lt;span style="font-style: italic;"&gt;Encyclopaedia Britannica&lt;/span&gt; - the hunt is on!&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Publishers of  the 241-year-old &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Encyclopaedia Britannica&lt;/span&gt;&lt;span style="font-family: arial;"&gt; have launched a search to find the oldest complete set in private hands.  &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;The Guardian&lt;/span&gt;&lt;span style="font-family: arial;"&gt;'s Alison Flood writes about the first ever edition of the &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Britannica&lt;/span&gt;&lt;span style="font-family: arial;"&gt;, which began its life in small weekly sections, printed in the back streets of Edinburgh in July 1768:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 51); font-family: arial;" href="http://www.guardian.co.uk/books/2009/oct/16/encyclopaedia-britannica-hunt-attics"&gt;www.guardian.co.uk/books/2009/oct/16/encyclopaedia-britannica-hunt-attics&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2760395788384215240?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2760395788384215240'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2760395788384215240'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/10/encyclopaedia-britannica-hunt-is-on.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2270126173744025140</id><published>2009-09-26T12:27:00.003+01:00</published><updated>2009-09-26T12:33:47.145+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-family:arial;font-size:130%;"  &gt;Robert Macfarlane reflects on the influence of  &lt;span style="font-style: italic;"&gt;The Monkey Wrench Gang&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;"Abbey spent years in grad school in New Mexico during the 1950s, flipping between the library and the landscape. His master's thesis was entitled "Anarchism and the Morality of Violence", and it compared Godwin, Proudhon and Bakunin. When he wasn't writing his thesis (which was most of the time), he was working as a fire-watcher and forest ranger in the national parks of the southwest. During those years, he thought his way through and beyond Thoreauvian civil disobedience, and into the world of direct action. He tested out his conclusions in non-fiction in the bestselling and bracingly grumpy &lt;/span&gt;&lt;em style="font-family: arial;"&gt;Desert Solitaire &lt;/em&gt;&lt;span style="font-family:arial;"&gt;(1968), and then fictionally in &lt;/span&gt;&lt;em style="font-family: arial;"&gt;The Monkey Wrench Gang&lt;/em&gt;&lt;span style="font-family:arial;"&gt;. When it was published, Jim Harrison described it approvingly in a New York Times review as "a violently revolutionary novel". So it proved to be."&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;Read the full article in &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;The Guardian&lt;/span&gt;&lt;span style="font-family:arial;"&gt;:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 51); font-family: arial;" href="http://www.guardian.co.uk/books/2009/sep/26/robert-macfarlane-monkey-wrench-gang"&gt;www.guardian.co.uk/books/2009/sep/26/robert-macfarlane-monkey-wrench-gang&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2270126173744025140?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2270126173744025140'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2270126173744025140'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/09/robert-macfarlane-assesses-influence-of.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-355937321533283859</id><published>2009-09-21T08:41:00.002+01:00</published><updated>2009-09-21T08:54:58.924+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 51); font-family: arial;font-size:130%;" &gt;The Essay - Richard Mabey&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Not to be missed is Radio 3's 'The Essay', which this week features nature writer Ricard Mabey, author of &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Food for Free,&lt;/span&gt;&lt;span style="font-family: arial;"&gt; &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;The Unofficial Countryside&lt;/span&gt;&lt;span style="font-family: arial;"&gt;,  &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Common Ground &lt;/span&gt;&lt;span style="font-family: arial;"&gt;and&lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt; Nature Cure.  &lt;/span&gt;&lt;span style="font-family: arial;"&gt; In a series of five programmes he '"attempts to marry a Romantic view of the natural world with a tad of scientific precision" in essays concentrating on each of our senses.  Tonight and every night until Friday, at 11.00 pm - or on listen again:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 51); font-family: arial;" href="http://www.bbc.co.uk/programmes/b00mrxqb"&gt;www.bbc.co.uk/programmes/b00mrxqb&lt;br /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-355937321533283859?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/355937321533283859'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/355937321533283859'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/09/essay-richard-mabey-not-to-be-missed-is.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-1122022825560747490</id><published>2009-08-21T08:35:00.002+01:00</published><updated>2009-08-21T08:48:58.361+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;A Soldier's Declaration: "&lt;/span&gt;&lt;i style="font-family: arial;"&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-size:130%;" &gt;the war is being deliberately prolonged by those who have the power to end it"&lt;/span&gt;.&lt;/i&gt;&lt;br /&gt;&lt;span style="display: block; font-family: arial;" id="formatbar_Buttons"&gt;&lt;span class="on down" style="display: block;" id="formatbar_CreateLink" title="Link" onmouseover="ButtonHoverOn(this);" onmouseout="ButtonHoverOff(this);" onmouseup="" onmousedown="CheckFormatting(event);FormatbarButton('richeditorframe', this, 8);ButtonMouseDown(this);"&gt;&lt;img src="img/blank.gif" alt="Link" class="gl_link" border="0" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Cambridge University Library have launched a fund-raising campaign to aquire the archive of First world War poet Siegried Sassoon's personal papers.  these include a draft of the controversial anti-war statement "A Soldier's Declaration".  The archive is comprised of seven boxes of material, among which are "Sassoon's journals, pocket notebooks compiled on the Western Front, poetry books and photographs, love-letters to his wife Hester, and letters sent to Sassoon by writers and other distinguished figures".&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;p style="font-family: arial;"&gt;The  'Soldier's Declaration', made in July 1917 was "an act of wilful defiance of military authority.  Sent to his commanding officer, it states his refusal to return to duty and his belief that the war, which he "entered as a war of defence and liberation", had become "a war of aggression and conquest" which was being "deliberately prolonged by those who have the power to end it."&lt;/p&gt; &lt;p style="font-family: arial;"&gt;The declaration was subsequently read in the House of Commons on July 30, and caused a storm which only abated after fellow officer Robert Graves persuaded the authorities to send Sassoon to Craiglockhart Hospital for the treatment of shell-shock.&lt;/p&gt;&lt;span style="font-family: arial;"&gt;The power of Sassoon's statement resonates as powerfully now as when first written:&lt;/span&gt;&lt;br /&gt;&lt;i style="font-family: arial;"&gt;&lt;span style="font-size:+2;"&gt;"I &lt;/span&gt;AM making this statement as an act of willful defiance of military authority, because I believe that the war is being deliberately prolonged by those who have the power to end it. &lt;/i&gt;&lt;p style="font-family: arial;"&gt; &lt;/p&gt;&lt;dd style="font-family: arial;"&gt;&lt;i&gt;I am a soldier, convinced that I am acting on behalf of soldiers. I believe that this war, upon which I entered as a war of defense and liberation, has now become a war of aggression and conquest. I believe that the purposes for which I and my fellow-soldiers entered upon this war should have been so clearly stated as to have made it impossible to change them, and that, had this been done, the objects which actuated us would now be attainable by negotiation."&lt;/i&gt;&lt;br /&gt;&lt;/dd&gt;&lt;p style="font-family: arial;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="font-family: arial;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-1122022825560747490?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1122022825560747490'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1122022825560747490'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/08/soldiers-declaration-war-is-being.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-6252725748716647538</id><published>2009-08-05T09:04:00.002+01:00</published><updated>2009-08-05T09:09:54.348+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;Forensic reading...&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Read how new techniques can reveal the mysteries of the text in Mark Clarke's paper: "Seeking the Invisible: Forensic Science at the Parker Library" &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;from &lt;/span&gt;&lt;a style="font-family: arial;" href="http://www.medievalacademy.org/medacnews/news_clarke.htm"&gt;&lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;Medieval Academy News&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-6252725748716647538?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/6252725748716647538'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/6252725748716647538'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/08/forensic-reading.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-5839415590479162547</id><published>2009-08-02T09:37:00.002+01:00</published><updated>2009-08-02T09:41:52.412+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;The real Raymond Carver&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;James Campbell examines the way in which the editor's razor created the work of Raymond Carver:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;" The pleasure of reading Carver, who died in 1988 at the age of fifty, derives  partly from his bizarre scenarios and from absurdist dialogue which yet  retains the quality of overheard conversation; equally, it comes from pace  and phrasing, even paragraphing and punctuation, which the author controls  with what are practically musical skills. In the early stories, there is  often an ambiguity in a line of speech, or a cloud over the action, which  ultimately contributes to the reader’s thrill of engagement."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Read more in the &lt;/span&gt;&lt;a style="font-style: italic; font-family: arial;" href="http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/the_tls/article6731684.ece"&gt;&lt;span style="color: rgb(255, 255, 0);"&gt;Times Literary Supplement&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: arial;"&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-5839415590479162547?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/5839415590479162547'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/5839415590479162547'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/08/real-raymond-carver-james-campbell.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-3377504736010155430</id><published>2009-08-01T08:26:00.002+01:00</published><updated>2009-08-01T08:57:50.860+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;A Passion for Mercy: Ross MacDonald&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Tobias Jones offers an assement of crime writer Ross MacDonald, arguing that MacDonald eventually outstripped those writers like Hammett and Chandler he aspired to imitate, with the creation of the fictional detective Lew Archer:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;"Over a series spanning 18 novels, Archer became something paradoxical: a memorable character about whom the reader knows next to nothing, the man with the punchy one-liners who is actually a good listener. Macdonald once wrote of his famous creation that he was "so narrow that when he turns sideways he almost disappears". The thinness was deliberate because Macdonald wanted his detective to be like a therapist, a man whose actions "are largely directed to putting together the stories of other people's lives and discovering their significance. He is ... a consciousness in which the meanings of other lives emerge."&lt;br /&gt;&lt;br /&gt;Jones, like other writers who have looked at MacDonald, picks up on the psychological aspects of MacDonald's books, but  like them he misses one of the things that makes MacDonald's work stand out above other writers - the way in which he  locates the ultimate cause of individual and family breakdown in sociological causes - particularly war and the pursuit of power and wealth.  Although these factors are always in the background it provides a missing element that makes so many other psychological thrillers lacking by comparison.  One other aspect of MacDonald's work that I find exciting is the frequent backdrop of environmental disaster, threatening communities and individuals - forest fires, oil spills - which heighten the tension and provide cotnemporary relevance.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Read the whole feature in &lt;/span&gt;&lt;a style="font-family: arial;" href="http://www.guardian.co.uk/books/2009/aug/01/ross-macdonald-crime-novels"&gt;&lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;The Guardian&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: arial;"&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-3377504736010155430?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3377504736010155430'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3377504736010155430'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/08/passion-for-mercy-ross-macdonald-tobias.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-1890224351732185475</id><published>2009-07-21T07:29:00.002+01:00</published><updated>2009-07-21T07:35:38.196+01:00</updated><title type='text'></title><content type='html'>&lt;span style="color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;&lt;span style="font-weight: bold;"&gt;Time and Tide&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Interesting article by Ken Worpole (with photographs by Jason Orton) on tidal pools:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;"There is something mysterious and even disturbing about these pools, located on the border between land and water. There is a muscularity and even brutalism to most structures that engage directly or indirectly with the sea — not just tidal pools but also harbor walls, esplanades, piers, lighthouses, military lookouts and gun emplacements. All such constructions tend to be great works of public engineering, although they possess a distinctive architectural mass and form. For the sea is a powerful force of nature, and while the daily tides can bring pleasure and replenishment to coastal settlements, they are also agents of destruction and chaos."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Also a great quote from J G Ballard in one of the comments:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;"All the most interesting things in the world take place where the sea meets the land and you're between those two states of mind. On that border zone, you're neither one nor the other, you're both. And people take their clothes off, which is always a plus"&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Read the whole article in the &lt;/span&gt;&lt;a style="font-family: arial; color: rgb(255, 255, 0);" href="http://www.designobserver.com/archives/entry.html?id=39387"&gt;Design Observer&lt;/a&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-1890224351732185475?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1890224351732185475'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1890224351732185475'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/07/time-and-tide-interesting-article-by.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-8528461432021418497</id><published>2009-07-18T14:27:00.002+01:00</published><updated>2009-07-18T14:31:40.176+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-size:130%;color:#ffff00;"&gt;&lt;strong&gt;Benedict Seymour on Militant Urbanism&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;A thought-provoking essay about gentrification from Benedict Seymour in Variant (34), entitled &lt;em&gt;Shoreditch and the Creative Destruction of the Inner City:&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;/em&gt;&lt;br /&gt;"the cosmetic renewal of a portion of the crumbling urban core coincides with continued – or intensified – infrastructural decline. Rather than an unfortunate side effect of the real estate market, gentrification is an openly pursued policy objective where 'creative entrepreneurialism’ is identified as key to reviving inner cities. Gentrification takes from the poor and gives to the rich; anything residually ‘public’ will either be reclaimed for the middle class or left to rot. The question remains, is the current crisis a reprieve or a new assault, and who will win this time?"&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.variant.randomstate.org/34texts/shoreditch34.html"&gt;&lt;span style="color:#ffff00;"&gt;www.variant.randomstate.org/34texts/shoreditch34.html&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-8528461432021418497?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8528461432021418497'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8528461432021418497'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/07/benedict-seymour-on-militant-urbanism.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-5382298253633485805</id><published>2009-06-19T12:57:00.002+01:00</published><updated>2009-06-19T13:08:13.757+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;Franklin Rosemont 1943 - 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Franklin Rosemont, celebrated poet, artist, historian, publisher, street speaker, and surrealist activist, has died in Chicago aged just 65.  He was active in the Sixties in the Wobblies and as part of the group around &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Rebel Worker&lt;/span&gt;&lt;span style="font-family: arial;"&gt;. He translated Breton's writings in English (published in the UK by Pluto Press), and was the author of one of the best books on the life of Joe Hill.  A tribute to Franklin by  David Roediger, Paul Garon, and Kate Khatib, has been posted on InterActivist Info Exchange:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;"Between the history he himself helped create and the history he helped uncover, Franklin was never without a story to tell or a book to write—about the IWW, SDS, Hobohemia in Chicago, the Rebel Worker, about the past 100 years or so of radical publishing in the US, or about the international network of Surrealists who seemed to always be passing through the Rosemonts’ Rogers Park home. As engaged with and excited by new surrealist and radical endeavors as he was with historical ones, Franklin was always at work responding to queries from a new generation of radicals and surrealists, and was a generous and rigorous interlocutor. In every new project, every revolt against misery, with which he came into contact, Franklin recognized the glimmers of the free and unfettered imagination, and lent his own boundless creativity to each and every struggle around him, inspiring, sustaining, and teaching the next generation of surrealists worldwide."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Read the full text of the tribute here:&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://info.interactivist.net/node/12524"&gt;http://info.interactivist.net/node/12524&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-5382298253633485805?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/5382298253633485805'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/5382298253633485805'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/06/franklin-rosemont-1943-2009-franklin.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2144358383118027619</id><published>2009-06-19T12:49:00.002+01:00</published><updated>2009-06-19T12:56:12.209+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;Boyd Tonkin: "Has British History lost its tongues?"&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Consistently one of the best literary journalists featured in the UK daily papers, Boyd Tonkin assesses the impact of the "meltdown of language teaching in many schools and universities" on the interpretation of Continental history by British-based writers in the &lt;/span&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.independent.co.uk/arts-entertainment/books/features/boyd-tonkin-has-british-history-lost-its-tongues-1708401.html"&gt;Independent&lt;/a&gt;&lt;span style="font-family: arial;"&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2144358383118027619?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2144358383118027619'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2144358383118027619'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/06/boyd-tonkin-has-british-history-lost.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-430525115690512460</id><published>2009-06-12T23:24:00.002+01:00</published><updated>2009-06-12T23:30:56.314+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;Facsimile Dustjackets&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Hooked on the artwork for book jackets?  Or got a copy of a book but the dustjacket is missing - here is a great website, with thousands of inspirational images, which can be searched or browsed.  Created by Mark Terry, who will also supply facsimile copies of original dustjackets to replace missing or damaged originals.  Some good links to other sites.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-family: arial; color: rgb(255, 255, 0);" href="http://www.facsimiledustjackets.com"&gt;www.facsimiledustjackets.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-430525115690512460?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/430525115690512460'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/430525115690512460'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/06/facsimile-dustjackets-hooked-on-artwork.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-6099003653708709429</id><published>2009-06-12T08:56:00.002+01:00</published><updated>2009-06-12T09:02:27.507+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;The Peep Diaries&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Hot of the press is a new book from City Lights - &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;The Peep Diaries&lt;/span&gt;&lt;span style="font-family: arial;"&gt; by Hal Niedzviecki, which explores the growth of a voyeuristic and informal surveillance culture.  From the City Lights &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;blurb&lt;/span&gt;&lt;span style="font-family: arial;"&gt;: &lt;/span&gt;&lt;br /&gt; &lt;br /&gt;&lt;span style="font-family: arial;"&gt;"We have entered the age of "Peep culture": a tell-all, show-all, know-all digital phenomenon that is dramatically altering notions of privacy, individuality, security and even humanity. Peep culture is Reality TV, YouTube, Myspace, Facebook, Twitter, surveillance technology, blogs, amateur porn, cellphone photos of your drunk friend making out with her ex-boyfriend, and more. In the age of Peep, core values and rights we once took for granted are rapidly being renegotiated, often without our even noticing.&lt;/span&gt;&lt;br /&gt; &lt;br /&gt;&lt;span style="font-family: arial;"&gt; Social critic Hal Niedzviecki dives into Peep, starting his own blog, joining every social network that will have him, monitoring the movements of his wife, hiring private detective websites to investigate his father, spying on his neighbors, and trying out for Reality TV, and drinking with a group of middle class empty nesters whose new hobby is posting their amateur porn to the 'Net. Part travelogue, part diary, part meditation and social history, &lt;/span&gt;&lt;i style="font-family: arial;"&gt;The Peep Diaries&lt;/i&gt;&lt;span style="font-family: arial;"&gt; explores a rapidly emerging digital phenomenon that is radically changing not just the entertainment landscape, but also the firmaments of our culture and society."&lt;/span&gt;&lt;br /&gt; &lt;br /&gt;&lt;span style="font-family: arial;"&gt; "A snapshot of a world in profound transformation. Compelling and creepy."&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt; —Naomi Klein, author of &lt;/span&gt;&lt;i style="font-family: arial;"&gt;The Shock Doctrine&lt;/i&gt;&lt;span style="font-family: arial;"&gt; and &lt;/span&gt;&lt;i style="font-family: arial;"&gt;No Logo&lt;br /&gt;&lt;/i&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.citylights.com/book/?GCOI=87286100828760"&gt;www.citylights.com/book/?GCOI=87286100828760&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt; &lt;/span&gt;&lt;br /&gt; &lt;br /&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-6099003653708709429?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/6099003653708709429'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/6099003653708709429'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/06/peep-diaries-hot-of-press-is-new-book.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-90971678309391334</id><published>2009-06-10T13:12:00.003+01:00</published><updated>2009-06-10T13:29:08.570+01:00</updated><title type='text'></title><content type='html'>&lt;span id="PageTemplateLoader1_ctl00_cp1"&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-size:130%;" &gt;Castoriadis: Psyche, Society, Autonomy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Jeff Klooger who runs the occasional &lt;a style="color: rgb(255, 255, 0);" href="http://castoriadis.blogspot.com/"&gt;Castoriadis blog&lt;/a&gt; has written a critical exploration of the "underpinnings and implications of &lt;/span&gt;&lt;span id="PageTemplateLoader1_ctl00_cp1"&gt;Cornelius Castoriadis’ reflections on Being, society and the self. The book introduces the reader to the main concepts of Castoriadis’ work, but goes further to uncover the fundamental philosophical issues addressed by Castoriadis, and to critically examine the issues his work opens up."  Published by Brill the book is available in hardback only at the astonishing price of 121 euros.&lt;br /&gt;&lt;br /&gt;Never an easy read, but always rewarding, Castoriadis' work deserves to be better known in the UK.  My introduction was by those wonderful pamphlets run off on an old duplicator by the Soldiarity group many years ago - which somehow still seem more appropriate for the subversive  spirit that lays at the heart of Castioradis' writing.   A pity that  the audience for Jeff's book will be restricted by  the price tag.&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0);" href="http://castoriadis.blogspot.com/2009/05/new-book-on-castoriadis-published.html#links"&gt;Castoriadis blog: New Book On Castoriadis Published&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-90971678309391334?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/90971678309391334'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/90971678309391334'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/06/castoriadis-psyche-society-autonomy.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-8959639454848137436</id><published>2009-05-29T13:10:00.002+01:00</published><updated>2009-05-29T13:16:48.361+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;Survival International&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;p style="font-family: arial;"&gt;One year after photos of previously uncontacted Amazon Indians made headlines around the world, a new report from Survivial International reveals the five uncontacted tribes most at risk of extinction.  The tribes face invasion of their lands – by loggers, ranchers, colonists and oil companies – and all are at grave risk of being decimated by diseases to which they have no immunity.&lt;/p&gt;&lt;span style="font-family: arial;"&gt;The &lt;/span&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://tinyurl.com/nvgtpo"&gt;Survival International report&lt;/a&gt;&lt;span style="font-family: arial;"&gt;, is available as a pdf download or there is an html version supported with images and video clips.&lt;/span&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-8959639454848137436?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8959639454848137436'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8959639454848137436'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/05/survival-international-one-year-after.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-4071632294829664532</id><published>2009-05-28T08:46:00.002+01:00</published><updated>2009-05-28T08:56:30.632+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;it - International Times archive&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Now online, courtesy of the Underground Press Archive Group, the paper that gave a voice to the counter-culture is available free online, featuring original writing from William Burroughs, John Peel and even an early poem from Heathcote Williams:&lt;/span&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://www.internationaltimes.it/"&gt;www.internationaltimes.it&lt;/a&gt;&lt;span style="font-family: arial;"&gt;&lt;br /&gt;&lt;br /&gt;[via &lt;a href="http://johnnyvoid.wordpress.com/"&gt;johnnyvoid&lt;/a&gt;]&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-4071632294829664532?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/4071632294829664532'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/4071632294829664532'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/05/it-international-times-archive-now.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-5953577651714834637</id><published>2009-05-28T08:37:00.003+01:00</published><updated>2009-05-29T13:17:27.656+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-family:arial;font-size:130%;"  &gt;Chris Gray - Leaving the 20th Century&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Co-editor of the magazine &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;Heatwave &lt;/span&gt;&lt;span style="font-family:arial;"&gt;and active member of the English situationist &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;King Mob&lt;/span&gt;&lt;span style="font-family:arial;"&gt; and editor the influential introduction to situationist ideas, Leaving the Twentieth Century, has died.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;A lengthy obituary by his comrade and lifelong friend Charlie Radcliffe appears on: &lt;/span&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://johnnyvoid.wordpress.com/"&gt;http://johnnyvoid.wordpress.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt; "Though Chris’s bourgeois background seemed superficially akin to mine our experiences were different.  While I had protested with the Committee of 100 in England, he had travelled extensively.  Hanging out in Tangiers and Paris’ Beat Hotel, Chris had met and knew several of the leading lights of the cultural avant-garde now burgeoning into an élite within the then new ‘counter-culture’.  While my past included a veritable mishmash of ill-digested influences – largely ‘Beat’, anarchist and then surrealist – he was a cultural dissident, led into the ‘new politics’ by an initial interest in the angry young men.  By now, however, he had read Antonin Artaud, had pronounced ideas on the Surrealists and Dada-ists as well as on art and anti-art. He was scathing about all avant-garde art – except Dada and to a more limited extent Surrealism.  He was equally utterly contemptuous of hippie culture – “the latest slave ideology imported from America” he called it..." &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-5953577651714834637?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/5953577651714834637'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/5953577651714834637'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/05/chris-gray-leaving-2oth-century-co.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-8489834040077558306</id><published>2009-05-22T09:25:00.002+01:00</published><updated>2009-05-22T09:36:41.521+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;England's Greatest Radical? Gerard Winstanley, the Digger, 1609-1676&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;A lecture to commemorate the 400th anniversary of the birth of the Digger, Gerard Winstanley, given at Newcastle University by John Gurney last month, is now available online.  John Gurney is the author of &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Brave Community: The Digger Movement in the English Revolution&lt;/span&gt;&lt;span style="font-family: arial;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;(note that the lecture doesn't last as long as the time given on the website)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;To listen to the lecture click &lt;/span&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="https://lectopia.ncl.ac.uk/lectopia/lectopia.lasso?ut=6045&amp;amp;id=1693"&gt;here&lt;/a&gt;&lt;span style="font-family: arial;"&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-8489834040077558306?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8489834040077558306'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8489834040077558306'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/05/englands-greatest-radical-gerard.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-9057383783599696294</id><published>2009-05-15T17:43:00.004+01:00</published><updated>2009-05-22T09:38:32.696+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-family:arial;font-size:130%;"  &gt;Blackwells - Podcasts&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Booksellers, Blackwells, are making some great podcasts available every couple of weeks.  The most recent includes &lt;/span&gt;&lt;i style="font-family: arial;"&gt;Kazuo Ishiguro&lt;/i&gt;&lt;span style="font-family:arial;"&gt;,  who talks about his first volume of short stories, &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;Nocturnes&lt;/span&gt;&lt;span style="font-family:arial;"&gt; - "a bittersweet collection" that owes its inspiration to his fascination with music. &lt;/span&gt;&lt;i style="font-family: arial;"&gt;Nick Davies&lt;/i&gt;&lt;span style="font-family:arial;"&gt;, whose book &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;Flat Earth News&lt;/span&gt;&lt;span style="font-family:arial;"&gt; last week won the first Bristol Festival of Ideas Book Prize sponsored by Blackwell, explains why he thinks journalism has been replaced by "churnalism". The third author is &lt;/span&gt;&lt;i style="font-family: arial;"&gt;Mark Bostridge, &lt;/i&gt;&lt;span style="font-family:arial;"&gt;whose biography of Florence Nightingale&lt;/span&gt; reveals that she was neither saint nor villain, but something much more interesting than the myth.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Other authors include Alain de Botton, Peter Carey and Ben Goldacre.  All the podcasts to date have been archived.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-family: arial; color: rgb(255, 255, 0);" href="http://tinyurl.com/pya6u8"&gt;Blackwells podcasts can be found here&lt;/a&gt;&lt;span style="color: rgb(255, 255, 0);font-family:arial;" &gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-9057383783599696294?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/9057383783599696294'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/9057383783599696294'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/05/blackwells-podcasts-booksellers.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2029463382867641722</id><published>2009-04-24T20:15:00.002+01:00</published><updated>2009-04-24T20:50:58.382+01:00</updated><title type='text'></title><content type='html'>&lt;span style="color:#ffff00;"&gt;In print....&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Mary Beard examines the ancient Roman book trade and finds some surpising parallels in an essay entitled "&lt;a href="http://www.nytimes.com/2009/04/19/books/review/Beard-t.html?ref=books"&gt;&lt;span style="color:#ffff00;"&gt;Scrolling Down the Ages&lt;/span&gt;&lt;/a&gt;" in the &lt;em&gt;New York Times&lt;/em&gt; Sunday Book Review:&lt;br /&gt;&lt;br /&gt;"We usually assume that there is not much in common between the ancient Roman book trade and our own. Roman books, after all, were produced in a world that was not just pre-Internet but pre-Gutenberg. All reading material was laboriously copied out by hand. The ancient equivalent of the printing press was a battalion of slaves, whose job it was to transcribe one by one as many copies of Virgil, Horace or Ovid as the Roman market would buy."&lt;br /&gt;&lt;br /&gt;In &lt;em&gt;The Guardian&lt;/em&gt;, Iain Sinclair looks at the way different films have worked to construct a mythical East End in "&lt;a href="http://www.guardian.co.uk/film/2009/apr/24/east-end-films-iain-sinclair"&gt;&lt;span style="color:#ffff00;"&gt;Tales From Mean Streets&lt;/span&gt;&lt;/a&gt;":&lt;br /&gt;&lt;br /&gt;"London cinema is a force that defies its apparent boundaries, leaking from screen into street and back again. A pre-forgotten literature of urban working lives, by such as James Curtis, Robert Westerby and Gerald Kersh, slips unmolested into cinematic adaptations. The faces of certain performers - Jack Warner, Jimmy Hanley, Alfie Bass, Sydney Tafler - are ever present, sometimes villains, sometimes regular family men."&lt;br /&gt;&lt;br /&gt;Meanwhile, writer Ken Worpole reviews &lt;em&gt;The Poetics of Space&lt;/em&gt; by Gaston Bachelard as his &lt;a href="http://www.independent.co.uk/arts-entertainment/books/reviews/book-of-a-lifetime-the-poetics-of-space-by-gaston-bachelard-1673212.html"&gt;&lt;span style="color:#ffff00;"&gt;"Book of a Lifetime"&lt;/span&gt;&lt;/a&gt; in &lt;em&gt;The Independent&lt;/em&gt;:&lt;br /&gt;&lt;br /&gt;"Bachelard was a phenomenologist, holding the view that there was a dynamic interplay between an active mind and its surroundings. The house was a theatre, something most people realise when travelling by train through the city at night, seeing lighted interiors. A candlelight in a window was enough to bring a street to life, he wrote."&lt;br /&gt;&lt;br /&gt;Also in &lt;em&gt;The Independent&lt;/em&gt; Natural History writer, Peter Marren,  reviews two new books about summer migrants - &lt;a href="http://www.independent.co.uk/arts-entertainment/books/reviews/a-single-swallow-by-horatio-clarebr-say-goodbye-to-the-cuckoo-by-michael-mccarthy-1673191.html"&gt;&lt;span style="color:#ffff00;"&gt;the swallow and the cuckoo&lt;/span&gt;&lt;/a&gt;:&lt;br /&gt;&lt;br /&gt;"If migrant birds could talk, what tales they could tell - though the late Miriam Rothschild insisted they would only complain about their parasites. Cuckoos and swallows are the true heralds of summer. The swallow arrives, scything through the air, belly-dipping over the grass, often during the first truly warm days of the year. The cuckoo is more of a "wandering voice", often heard, less often seen; its appearance used to be announced on The Times letters page. Both birds excite and uplift us with their promise of easy-living summer days."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2029463382867641722?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2029463382867641722'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2029463382867641722'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/04/in-print.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-8107809940079991858</id><published>2009-04-14T17:50:00.002+01:00</published><updated>2009-04-14T17:59:25.344+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-family:arial;font-size:130%;color:#ffff00;"&gt;&lt;strong&gt;The Vanity of the Bonfires&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;em&gt;Times&lt;/em&gt; journalist Richard Morrison examines some of the books consigned to the flames by the Nazis after their rise to power, and discusses the personal and political rivalries behind the selection of the books that were burnt :&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;"Astonishingly, there was virtually no opposition either from booksellers or university professors. Far from defending free expression, many academics seemed as enthusiastic about the book burning as their students. Cologne University announced that 'the Senate and Rector have decided to attend the occasion. Dress: dark suit'." &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Read the full article here:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/books/article6087207.ece"&gt;&lt;span style="font-family:arial;color:#ffff00;"&gt;http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/books/article6087207.ece&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-8107809940079991858?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8107809940079991858'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8107809940079991858'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/04/vanity-of-bonfires-times-journalist.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-3338446027682821535</id><published>2009-04-13T10:28:00.002+01:00</published><updated>2009-04-13T10:35:39.237+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;Stuck in the Past:  Why is modern literature obsessed with history?&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Novelist Amanda Craig, author of &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Hearts and Minds&lt;/span&gt;&lt;span style="font-family: arial;"&gt;, explores the lack of contemporary relevance in British fiction, in the &lt;/span&gt;&lt;a style="font-family: arial;" href="http://tinyurl.com/c3n9h5"&gt;&lt;span style="font-style: italic;"&gt;Independent&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: arial;"&gt;:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;"The way the world works does not change, no matter how much    scientific knowledge we have acquired since Tudor times. But by failing to    notice or celebrate our own age, with all its eccentricities and agonies,    and by sticking our collective heads into bonnets, we fail also to    understand what is special about the way we live now. This is the    Victorian's legacy to us, and this, I believe, is what we have to rediscover."&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-3338446027682821535?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3338446027682821535'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3338446027682821535'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/04/stuck-in-past-why-is-modern-literature.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-8601431103914194313</id><published>2009-04-11T11:21:00.003+01:00</published><updated>2009-04-11T11:43:43.500+01:00</updated><title type='text'></title><content type='html'>&lt;span style="color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;&lt;span style="font-weight: bold;"&gt;William Blake&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Peter Marshall's short book &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;William Blake: Visionary Anarchist&lt;/span&gt;&lt;span style="font-family: arial;"&gt; is back in print. "...a lively and perceptive account of his thought, ranging from his philosophy, his critique of existing society and culture, to his vision of a free world." Available from the publishers &amp;amp; revamped Whitechapel bookshop &lt;/span&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.freedompress.org.uk/public/book.oml%3FbookId=19.html"&gt;Freedom&lt;/a&gt;&lt;span style="font-family: arial;"&gt; books.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Also worth reading are Christine Gallant's article  in the Summer 2008 issue of the  &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Wordsworth Circle&lt;/span&gt;&lt;span style="font-family: arial;"&gt;: "Blake's antislavery designs for &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Songs of Innocence and Experience&lt;/span&gt;&lt;span style="font-family: arial;"&gt;"  and the recently published &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Walking round Cambridge with William Blake: Auguries of Innocence illustrated by Rose Harries&lt;/span&gt;&lt;span style="font-family: arial;"&gt;:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;"William Blake's &lt;/span&gt;&lt;em style="font-family: arial;"&gt;Auguries of Innocence&lt;/em&gt;&lt;span style="font-family: arial;"&gt; is         not an easy text, for despite the nursery-rhyme simplicity of couplets         like&lt;/span&gt;&lt;br /&gt;&lt;p style="font-family: arial;" align="left"&gt;        'A robin red breast in a cage&lt;br /&gt;      Puts all heaven in a rage',&lt;br /&gt;      the moral world he created is a difficult place to try to inhabit, even         if only while reading. Like Shakespeare or Homer, though, each reading       reveals new shades of meaning. &lt;/p&gt;       &lt;p style="font-family: arial;" align="left"&gt;Rose Harries was a stranger to          Blake's couplets until last year when she spent some time with them,         then, wandering the streets of Cambridge, fitting her impressions of         the poem with the modern scenes of street-life. Not surprisingly, her         line drawings open the text in a new way, prompting the reader to a fresh         view of a complex masterpiece."&lt;/p&gt;&lt;span style="font-family: arial;"&gt;Published in a small hand-printed edition by Incline Press:&lt;/span&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.inclinepress.com/index.html"&gt;www.inclinepress.com/index.html&lt;/a&gt;&lt;br /&gt;&lt;p style="font-family: arial;" align="left"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p align="left"&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-8601431103914194313?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8601431103914194313'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8601431103914194313'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/04/william-blake-peter-marshalls-short.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2889371275778797655</id><published>2009-04-09T23:10:00.003+01:00</published><updated>2009-04-09T23:18:09.583+01:00</updated><title type='text'></title><content type='html'>&lt;span style="color: rgb(255, 255, 0); font-weight: bold;font-size:130%;" &gt;Anarchist Conference - London&lt;span style="color: rgb(255, 255, 0);"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-size:130%;" &gt;Saturday  6 &amp;amp; 7 June 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;"The Anarchist Movement Conference is a chance to put our ideas on the table and rebuild ourselves. The barriers that exist need to be broken down, the experiences and ideas of those involved in anarchist politics need to be shared, discussed, critiqued and debated. The task is urgent, practical and necessary - are we as a movement mature enough to face the challenge?         &lt;p&gt;How and where should we organise? Who are we are speaking to? How do we relate to the wider world as anarchists? These are some of the discussions that might happen during the course of the weekend. We want this conference to be a historical turning point, a point where we manage collectively to come together to look at the problems and work towards the solutions. Anarchists from every federation, network and local group, those involved in diverse struggles from environmental direct-action to community work, trade unionism to DIY projects - we invite you and encourage you: Claim your place at the table and help make a movement!&lt;/p&gt;         &lt;p&gt;If we truly aim to be part of making history we need to remake ourselves as an organised, pragmatic movement to become an effective part of revolutionary change. If we do not learn from the mistakes of the past we are doomed to repeat them. The anarchist ideals of mutual aid, solidarity and the desire to live as equals have been echoed throughout our history, in every country, by women and men, regardless of race or ethnicity. We have a proud history, this conference is both about recognizing where we have come from and organizing where we want to go."&lt;/p&gt;further details and registration form available from&lt;br /&gt;&lt;p&gt;&lt;a href="http://www.conference09.org.uk/index.html"&gt;www.conference09.org.uk/index.htm&lt;/a&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2889371275778797655?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2889371275778797655'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2889371275778797655'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/04/anarchist-conference-london-saturday-6.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-6300427539064897849</id><published>2009-03-29T22:36:00.002+01:00</published><updated>2009-03-29T22:44:54.001+01:00</updated><title type='text'></title><content type='html'>&lt;b style="font-family: arial;"&gt;&lt;span style="color: rgb(255, 255, 0);font-size:130%;" &gt;The Genoa G8 trials and Their Aftermath&lt;/span&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;A short but perceptive analysis of the trials of both police and protestors and their different outcomes, by Yasha Maccanico, is one of the the main articles in the latest Statewatch News:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;"The events of 19-21 July 2001 represent a wake-up call in terms of the brutality of policing and preemptive criminalisation used against a mass popular and international demonstration. It resulted in the death of protester Carlo Giuliani and in thousands of people from the European Union and beyond experiencing an array of repressive measures. These measures included temporary detention in humiliating circumstances and physical violence. The two key trials of police officers concerned events at the Bolzaneto barracks, which was turned into a make-shift prison to hold protesters for the duration of the summit, and the Diaz school. The school was used as a dormitory, where a late-night police raid, justified on the basis of fabricated evidence (a Molotov cocktail brought into the school by police officers), and spurious claims (for instance “the presence of black tops”) resulted in injuries to scores of protesters, many of whom were sleeping when they were attacked." &lt;br /&gt;&lt;br /&gt;The full nine page article is available as a pdf download from Statewatch:&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.statewatch.org/whatsnew.htm"&gt;www.statewatch.org/whatsnew.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-6300427539064897849?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/6300427539064897849'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/6300427539064897849'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/03/genoa-g8-trials-and-their-aftermath.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-7827087228816496172</id><published>2009-03-16T09:09:00.003Z</published><updated>2009-03-16T09:16:30.379Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;Debt: the First Five Thousand Years&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Anthropologist David Graeber examines the origins of money and debt and the relationship both have to violence in this essay on MetaMute:&lt;br /&gt;&lt;br /&gt;"Commodity money, particularly in the form of gold and silver, is distinguished from credit money most of all by one spectacular feature: it can be stolen. Since an ingot of gold or silver is an object without a pedigree, throughout much of history bullion has served the same role as the contemporary drug dealer’s suitcase full of dollar bills, as an object without a history that will be accepted in exchange for other valuables just about anywhere, with no questions asked. As a result, one can see the last 5 thousand years of human history as the history of a kind of alternation. Credit systems seem to arise, and to become dominant, in periods of relative social peace, across networks of trust, whether created by states or, in most periods, transnational institutions, whilst precious metals replace them in periods characterised by widespread plunder. Predatory lending systems certainly exist at every period, but they seem to have had the most damaging effects in periods when money was most easily convertible into cash."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.metamute.org/en/content/debt_the_first_five_thousand_years"&gt;www.metamute.org/en/content/debt_the_first_five_thousand_years&lt;/a&gt;&lt;span style="font-family: arial;"&gt; &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-7827087228816496172?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/7827087228816496172'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/7827087228816496172'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/03/debt-first-five-thousand-years.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-1787285148774494084</id><published>2009-03-16T08:28:00.004Z</published><updated>2009-03-16T09:08:58.063Z</updated><title type='text'></title><content type='html'>&lt;span style="color: rgb(255, 255, 0);font-size:130%;" &gt;&lt;span style="font-weight: bold;"&gt;The Dirty Thirty: Heroes of the Miner's Strike&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;During the Miner's Strike of 1984-85 only 30 miners out of 2,000 from the Leicestershire coalfield went on strike against the programme of pit closures.  They became known as the "Dirty Thirty" and travelled the world arguing their case, and raising money to enable the strike to continue.  Five Leaves press is publishing a new book about these 30 courageous men and the women's  support group that backed them in their struggle.  Written by David Bell and based on interviews with most of the surviving miner's and the support, &lt;span style="font-style: italic;"&gt;The Dirty Thirty&lt;/span&gt; is illustrated with photographs and ephemera from the strike.&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0);" href="http://www.fiveleaves.co.uk/index.html"&gt;www.fiveleaves.co.uk/index.html&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-1787285148774494084?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1787285148774494084'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1787285148774494084'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/03/dirty-thirty-heroes-of-miners-strike.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-1979207585208368526</id><published>2009-03-14T10:51:00.003Z</published><updated>2009-03-14T11:13:28.884Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-family:arial;font-size:130%;"  &gt;New Naturalist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Richard Mabey examines the history of the &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;New Naturalist&lt;/span&gt;&lt;span style="font-family:arial;"&gt; series in &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;The Guardian&lt;/span&gt;&lt;span style="font-family:arial;"&gt;, and recounts some of the most seductive descriptions in past volumes, before suggesting how the series might be developed in future years:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;"This is not to wish the NN to be something entirely different, or to join the kind of largely autobiographical, lyrically tinged work now clunkingly known as "nature writing". It is to ask whether the series really fulfilled its high purpose of making the inquiring spirit of field biology available to a wide public."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.guardian.co.uk/books/2009/mar/14/new-naturalist-books-richard-mabey"&gt;www.guardian.co.uk/books/2009/mar/14/new-naturalist-books-richard-mabey&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-1979207585208368526?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1979207585208368526'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1979207585208368526'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/03/new-naturalist-richard-mabey-examines.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-1465657434319726006</id><published>2009-03-13T15:08:00.002Z</published><updated>2009-03-13T15:14:23.573Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-size:130%;" &gt;&lt;span style="font-family: arial;"&gt;Bruce Sterling&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Darren Waters interviews science fiction writer Bruce Sterling on the BBC website:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;"The difficulty with interviewing Bruce Sterling is knowing where to start. His interests range from literature and design culture, to futurism, political activism, micro and macro economics, technology and 11th Century writers."&lt;/span&gt;&lt;br /&gt;&lt;!-- S IBOX --&gt;&lt;span style="font-family: arial;"&gt;***&lt;/span&gt;&lt;br /&gt;&lt;!-- E IBOX --&gt;&lt;span style="font-family: arial;"&gt;"Sterling is not looking to produce manifestos of the future to try and corral people into making change, despite his strong activist feelings around issues such as the global economy and climate change.  He says "I like ideas as abstract constructs. I don't fancy myself as political organiser.  &lt;/span&gt; &lt;p style="font-family: arial;"&gt;"I am too literary and poetic to be an organiser or rabble rouser. I am an attention philanthropist, always pointing to stuff other people are doing." &lt;/p&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://news.bbc.co.uk/1/hi/technology/7941604.stm"&gt;http://news.bbc.co.uk/1/hi/technology/7941604.stm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-1465657434319726006?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1465657434319726006'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1465657434319726006'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/03/bruce-sterling-darren-waters-interviews.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2461454971662189635</id><published>2009-02-27T10:18:00.002Z</published><updated>2009-02-27T10:58:56.171Z</updated><title type='text'></title><content type='html'>&lt;span style="font-family:arial;font-size:130%;color:#ffff00;"&gt;&lt;strong&gt;John Clare and Community&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;If you only have time to read one thing during March - make sure it is Theresa Adams' fascinating study "Representing Rural Leisure: John Clare and the Politics of Popular Culture".  In this article Theresa demonstrates how John Clare "shows the reader that leisure (including ballads, stories and customs) builds community horizontally between members of the same class, offering an escape from paternalistic surveillance, and providing what Raymond Williams calls 'a breathing-space, a fortunate distance, from the immediate and visible controls' of and unequal social systems.  Customs are not merely entertainment, but an expression of laborers' customary rights, unwritten rules that limit the master's power and grant laborer's standing in the social body." &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;A careful analysis of some of some of Clare's key poems contrasts his writing with that of Thomson and Bloomfield to reveal the true extent of Clare's originality &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Published in &lt;em&gt;Studies in Romanticism&lt;/em&gt;, 47 (Fall 2008) 371-392&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2461454971662189635?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2461454971662189635'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2461454971662189635'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/02/john-clare-and-community-if-you-only.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-1272924380281613195</id><published>2009-02-14T22:22:00.002Z</published><updated>2009-02-14T22:28:47.829Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-size:130%;" &gt;Revolutionary Mode&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Richard Porton, author of &lt;span style="font-style: italic;"&gt;Film and the Anarchist Imagination&lt;/span&gt;, considers the anarchist cinema of the 21st century, on Moving Image Source:&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0);" href="http://www.movingimagesource.us/articles/revolutionary-mode-20090210"&gt;www.movingimagesource.us/articles/revolutionary-mode-20090210&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-1272924380281613195?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1272924380281613195'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1272924380281613195'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/02/revolutionary-mode-richard-porton.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2477566250285215967</id><published>2009-02-14T22:11:00.003Z</published><updated>2009-02-14T22:15:44.474Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-family:arial;font-size:130%;"  &gt;Another Country&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Claudia Roth Pierrepont writes about "James Baldwin's flight from America" in the &lt;span style="font-style: italic;"&gt;New Yorker&lt;/span&gt;:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;"Baldwin had been fleeing from place to place for much of his adult life. He was barely out of his teens when he left his Harlem home for Greenwich Village, in the early forties, and he had escaped altogether at twenty-four, in 1948, buying a one-way ticket to Paris, with no intention of coming back. His father was dead by then, and his mother had eight younger children whom it tortured him to be deserting; he didn’t have the courage to tell her he was going until the afternoon he left. There was, of course, no shortage of reasons for a young black man to leave the country in 1948. Devastation was all around: his contemporaries, out on Lenox Avenue, were steadily going to jail or else were on “the needle.” His father, a factory worker and a preacher—“he was righteous in the pulpit,” Baldwin said, “and a monster in the house”—had died insane, poisoned with racial bitterness."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.newyorker.com/arts/critics/books/2009/02/09/090209crbo_books_pierpont"&gt;www.newyorker.com/arts/critics/books/2009/02/09/090209crbo_books_pierpont&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2477566250285215967?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2477566250285215967'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2477566250285215967'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/02/another-country-claudia-roth-pierrepont.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2987470737642722635</id><published>2009-02-13T10:02:00.003Z</published><updated>2009-02-14T22:16:22.384Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-family:arial;font-size:130%;"  &gt;Arrests, death threats, and Freedom of Expression&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Johann Hari writes in the &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;Independent&lt;/span&gt;&lt;span style="font-family:arial;"&gt; about the continuing attack on freedom of freedom of expression by religious fundamentalism:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;"I know that the price of taking offence is that I can    give it too, if that is where the facts lead me."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://tinyurl.com/bny9ma"&gt;&lt;b style="color: rgb(255, 255, 0);"&gt;http://tinyurl.com/bny9ma&lt;/b&gt;&lt;/a&gt;&lt;span style="font-family:arial;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;[long url shorterned at tinyurl]&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Meanwhile in Britain the space for dissent and alternative views is shrinking further.  The way news is gathered and reported is under threat again from another piece of state legislation, this time it is the Counter Terrorism Act 2008.  Section 76 of the Act which gives the police new powers to  to stop and search photographers and prevent them from taking pictures in public comes into force next week..  Read more in the &lt;span style="font-style: italic;"&gt;British Journal of Photography&lt;/span&gt;: &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.bjp-online.com/public/showPage.html?page=839141"&gt;www.bjp-online.com/public/showPage.html?page=839141&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;for details of recent incidents when press photographers have already been prevented from doing their job see this article on Hold the Front Page:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.holdthefrontpage.co.uk/photo/090210newact.shtml"&gt;www.holdthefrontpage.co.uk/photo/090210newact.shtml &lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2987470737642722635?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2987470737642722635'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2987470737642722635'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/02/arrests-death-threats-and-freedom-of.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2676195666167164317</id><published>2009-01-24T11:09:00.002Z</published><updated>2009-01-24T11:16:33.525Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;The Best of W G Sebald&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Robert MacFarlane argues the case for &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;The Rings of Saturn&lt;/span&gt;&lt;span style="font-family: arial;"&gt; and &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Austerlitz&lt;/span&gt;&lt;span style="font-family: arial;"&gt; by W G Sebald to be considered as among the &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Guardian&lt;/span&gt;&lt;span style="font-family: arial;"&gt;'s "1,000 Novels Everyone Must Read":&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;"&lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;The Rings of Saturn&lt;/span&gt;&lt;span style="font-family: arial;"&gt; describes a summer walking tour down the Suffolk coast, made by a narrator figure who resembles, but is not quite, Sebald himself. Along the way, he tells apparently disconnected stories about the deforestation of Britain, the drowned town of Dunwich, the herring trade and Bergen-Belsen. Gradually, the reader realises that this almost folksy travelogue is in fact a vastly complex rumination on ruination and transience. And that the apparently crabwise motion of the narrative - its near-refusal to proceed - is in fact Sebald's way of sidling up to some of the most significant questions of modern history: trauma, the Holocaust, repression."&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.guardian.co.uk/books/2009/jan/23/1000-novels-sebald-wg"&gt;www.guardian.co.uk/books/2009/jan/23/1000-novels-sebald-wg&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2676195666167164317?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2676195666167164317'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2676195666167164317'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/01/best-of-w-g-sebald-robert-macfarlane.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-5718649260915468589</id><published>2009-01-07T10:16:00.002Z</published><updated>2009-01-07T10:23:10.690Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-size:130%;" &gt;You can't beat "El Sistema"&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Richard Morrison writes about the lessons we can learn from the example of José Antonio Abreu, and his Venezualan musical project - "El Sistema": in &lt;a style="color: rgb(255, 255, 0);" href="http://www.timesonline.co.uk/tol/comment/columnists/richard_morrison/article5458858.ece"&gt;The Times&lt;/a&gt;:&lt;br /&gt;&lt;br /&gt;"The secret of the Simón Bolívar Orchestra's appeal doesn't lie in the deprived backgrounds of its members, or the Latinate exuberance of the playing. It lies in the fact that its players, and thousands of other kids back in Venezuela, voluntarily practise their instruments for 20 hours each week. And that's on top of their regular schooling."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-5718649260915468589?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/5718649260915468589'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/5718649260915468589'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/01/you-cant-beat-el-sistema-richard.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-5433857779166702986</id><published>2009-01-03T23:25:00.004Z</published><updated>2009-01-04T19:48:17.389Z</updated><title type='text'></title><content type='html'>&lt;span style="color: rgb(255, 255, 0);font-family:arial;font-size:130%;"  &gt;Gazza - News from the Israeli Resistance&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;You won't hear about the Israeli resistance to the Israeli War machine on the BBC despite its pretence of objectivity - but it is happening and there are daily demonstrations against the war.   The only way to stop the bloodshed and bombing is to support the emerging anti-war movement inside Israel - small demonstrations will grow into larger protests as news gets around.  The first step is to break the censorship that hides the protests behind a wall of silence.  The best site for reports on the opposition are: &lt;/span&gt;&lt;a href="http://ilanisagainstwalls.blogspot.com/"&gt;&lt;span style="color: rgb(255, 255, 0);font-family:arial;" &gt;Ilan Against the Wall&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:arial;"&gt;,  &lt;/span&gt;&lt;a href="http://awalls.org/"&gt;&lt;span style="color: rgb(255, 255, 0);font-family:arial;" &gt;Anarchists Against the Wall&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:arial;"&gt;, &lt;/span&gt;&lt;a href="https://israel.indymedia.org/"&gt;&lt;span style="color: rgb(255, 255, 0);font-family:arial;" &gt;Israel Indymedia&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:arial;"&gt; (which has photos and some articles in English) and &lt;/span&gt;&lt;a href="http://zope.gush-shalom.org/home/en/events/1231029668"&gt;&lt;span style="color: rgb(255, 255, 0);font-family:arial;" &gt;Gush Shalom&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:arial;"&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-5433857779166702986?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/5433857779166702986'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/5433857779166702986'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/01/gazza-news-from-israeli-resistance-you.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2147181521712357177</id><published>2009-01-03T11:47:00.003Z</published><updated>2009-01-03T12:02:55.159Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold;font-family:arial;font-size:130%;"  &gt;John Clare and the Gypsies&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;The V &amp;amp; A website is currently hosting some stunning contemporary nature writing on Essex, including an essay by Ronald Blythe on John Clare and gypsies: &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;"Sometimes I watch a film or read a book, come-to and tell myself, 'But I was there! I heard it, I saw it.' It is a not uncommon experience. It occurs when I read John Clare on the gypsies. He both hobnobbed with them and was fastidious where they were concerned, was prejudiced and unprejudiced at the same time. He wrote many poems about them which envied their lot, their freedom, their women, and one poem which envied them nothing. &lt;/span&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.vam.ac.uk/activ_events/adult_resources/memory_maps/contemp_writing/prose/blythe_r/index.html"&gt;"Vagabondage in a native Place: John Clare and the Gypsies".&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Also available on site are Robert Macfarlane on &lt;/span&gt;&lt;a style="font-family: arial;" href="http://www.vam.ac.uk/activ_events/adult_resources/memory_maps/contemp_writing/prose/robmacfarlane/index.html"&gt;&lt;span style="color: rgb(255, 255, 0);"&gt;"Elm"&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:arial;"&gt;, Ken Worpole on &lt;/span&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.vam.ac.uk/activ_events/adult_resources/memory_maps/contemp_writing/prose/ken_worpole/index.html"&gt;"Estuary Lines: An Essay on the Essex Coastline"&lt;/a&gt;&lt;span style="font-family:arial;"&gt;, &lt;/span&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.vam.ac.uk/activ_events/adult_resources/memory_maps/contemp_writing/prose/micheleroberts/index.html"&gt;"Mud Language"&lt;/a&gt;&lt;span style="font-family:arial;"&gt; by Michele Roberts, and &lt;/span&gt;&lt;a style="font-family: arial;" href="http://www.vam.ac.uk/activ_events/adult_resources/memory_maps/contemp_writing/prose/sinclair/index.html"&gt;&lt;span style="color: rgb(255, 255, 0);"&gt;"The Edge of the Orison: In the Traces of John Clare's 'Journey Out of Essex'"&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:arial;"&gt; by Ian Sinclair.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2147181521712357177?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2147181521712357177'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2147181521712357177'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2009/01/john-clare-and-gypsies-v-website-is.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-8494311443478921306</id><published>2008-12-28T19:20:00.002Z</published><updated>2008-12-28T20:06:47.772Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;New Stuff...&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;January Magazine has a US focused round-up of "Best Books of 2008" and also two feature articles on "Best Crime Books 2008":&lt;br /&gt;&lt;/span&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://januarymagazine.com/"&gt;http://januarymagazine.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Duke University Press have just placed eight years of back issues of the academic journal &lt;/span&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://complit.dukejournals.org/cgi/search?sortspec=relevance&amp;amp;author1=&amp;amp;fulltext=gionno&amp;amp;pubdate_year=&amp;amp;volume=&amp;amp;firstpage="&gt;Comparative Literature&lt;/a&gt;&lt;span style="font-family: arial;"&gt; online - with open access.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Robert Bly's translation of a poem by Miguel de Unamo  is the seasonal posting on Wood's Lot:&lt;/span&gt;&lt;br /&gt;&lt;a style="font-family: arial; color: rgb(255, 255, 0);" href="http://web.ncf.ca/ek867/wood_s_lot.html"&gt;"The Snowfall Is So Silent"&lt;/a&gt;&lt;span style="font-family: arial; color: rgb(255, 255, 0);"&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;The New Yorker &lt;/span&gt;&lt;span style="font-family: arial;"&gt;features&lt;/span&gt;&lt;span style="font-family: arial;"&gt; a review by Darrel Pinckney of  the recent publication of Susan Sontag's early journals: &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Reborn: Journals &amp;amp; Notebooks, 1947-1963&lt;/span&gt;&lt;span style="font-family: arial;"&gt;,.  Pinckney's review is entitled: &lt;/span&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.newyorker.com/arts/critics/books/2008/12/22/081222crbo_books_pinckney"&gt;"The Book of Lists"&lt;/a&gt;&lt;span style="font-family: arial;"&gt;.  This issue also includes an audio profile of Naomi Klein, author of &lt;span style="font-style: italic;"&gt;No Logo&lt;/span&gt; and &lt;span style="font-style: italic;"&gt;The Shock Doctrine&lt;/span&gt;:   &lt;/span&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.newyorker.com/online/2008/12/08/081208on_audio_macfarquhar?xrail"&gt;"Voice of the Left"&lt;/a&gt;&lt;span style="font-family: arial;"&gt; by Larissa MacFarquhar.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt; &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-8494311443478921306?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8494311443478921306'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8494311443478921306'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/12/new-stuff.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-1929112062412537234</id><published>2008-12-27T22:28:00.002Z</published><updated>2008-12-27T22:34:12.565Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;Adrian Mitchell 1932-2008&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Poet Michael Rosen pays tribute (in Socialist Worker)  to his friend  Adrian Mitchell, who died last week:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;"As a teenager, I watched him performing his poem "To whom it may concern" from the plinth at Trafalgar Square. I was used to reading poetry to myself in my bedroom, or at best, hearing it on the radio. But here was a poetry that responded to political events of the moment and talked to a movement of hundreds and thousands."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.socialistworker.co.uk/art.php?id=16758"&gt;www.socialistworker.co.uk/art.php?id=16758 &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;[see also the post dated 21st December below for additional links on Adrian Mitchell]&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-1929112062412537234?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1929112062412537234'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1929112062412537234'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/12/adrian-mitchell-1932-2008-poet-michael.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-8953188055006845105</id><published>2008-12-24T16:35:00.002Z</published><updated>2008-12-24T16:45:28.378Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;Books and Libraries in the Digital Age&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;A video lecture by Harvey Darnton, director of Harvard Libraries:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;In conversation with &lt;/span&gt;&lt;span style="font-family: arial;"&gt;David Thorburn&lt;/span&gt;&lt;span style="font-family: arial;"&gt; and audience members, Darnton lays out why he finds more promise than peril in rapidly expanding digital collections. He first owns up to the tactile pleasures of archival history: the sensation of opening a box full of manuscripts, dirty hands, the smell of old paper, and literally coming “into contact with vanished humanity.”&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt; He cherishes the drama of such research, as well as the finished, weighty products of this kind of work: the book. While the “tactile quality of books” is very important -- and Darnton describes holding up leaves of 18th century books to see bits of ground-down petticoat thread -- there are also positive dimensions to digital versions. For instance, when the British Library digitized &lt;/span&gt;&lt;i style="font-family: arial;"&gt;Beowulf&lt;/i&gt;&lt;span style="font-family: arial;"&gt;, it discovered several new words. But “one medium of communication doesn’t displace another,” he reassures. “They coexist.” Darnton himself is hard at work on a large-scale electronic book about books in the 18th century, comprised of layers a user can navigate, from essays on various subjects, to selections of documents in English, to the original documents in French. There might even be songs performed as they were sung in the streets of Paris 250 years ago. “We are in an era of creating new kinds of books, new kinds of reading and authorship.”&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;MIT Communications Forum website which hosts the lecture has also made other lectures available including "Folk Cultures and Digital Cultures" and "Copyright, Fair Use , and the Cultural Commons"&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://mitworld.mit.edu/video/622"&gt;http://mitworld.mit.edu/video/622&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://mitworld.mit.edu/video/462"&gt;&lt;h4&gt;&lt;br /&gt;&lt;/h4&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-8953188055006845105?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8953188055006845105'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8953188055006845105'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/12/books-and-libraries-in-digital-age.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-4983225621191521750</id><published>2008-12-21T22:29:00.004Z</published><updated>2008-12-21T23:28:44.356Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-family:arial;font-size:130%;"  &gt;Adrian Mitchell - Poet&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;My brain socialist &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt; My heart anarchist &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt; My eyes pacifist &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt; My blood revolutionary &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;The &lt;/span&gt;&lt;a style="font-family: arial;" href="http://news.bbc.co.uk/1/hi/uk/7794815.stm"&gt;BBC&lt;/a&gt;&lt;span style="font-family:arial;"&gt; reported today on the death of poet Adrian Mitchell aged of 76.  Described by &lt;span style="font-style: italic;"&gt;Red Pepper&lt;/span&gt; as the "shadow laureate" Adrian was probably best known for his poems "On the Beach at Cambridge" and "To Whom It May Concern (Tell Me Lies About Vietnam)"  - but his writing was wide-ranging and not restricted to anti-war themes.  One of his most powerful works was the anti-bullying "Back in the Playground Blues"  - based on his own experience at school it widens to become an indictment of authoritarian society:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);font-family:arial;font-size:100%;"  &gt;&lt;strong style="font-style: italic;"&gt;&lt;em&gt;Back in the Playground Blues - Adrian Mitchell (1997)&lt;/em&gt;&lt;/strong&gt;&lt;span style="font-style: italic;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=";font-family:Verdana;font-size:100%;"  &gt;&lt;br /&gt;I dreamed I was back in the playground, I was about four feet high&lt;br /&gt;Yes dreamed I was back in the playground, standing about four feet high&lt;br /&gt;Well the playground was three miles long and the playground was five miles wide&lt;br /&gt;&lt;br /&gt;It was broken black tarmac with a high wire fence all around&lt;br /&gt;Broken black dusty tarmac with a high wire fence running all around&lt;br /&gt;And it had a special name to it, they called it The Killing Ground&lt;br /&gt;&lt;br /&gt;Got a mother and a father, they're one thousand years away&lt;br /&gt;The rulers of The Killing Ground are coming out to play&lt;br /&gt;Everybody thinking: 'Who they going to play with today?'&lt;br /&gt;&lt;br /&gt;Well you get it for being Jewish&lt;br /&gt;And you get it for being black&lt;br /&gt;Get it for being chicken&lt;br /&gt;And you get it for fighting back&lt;br /&gt;You get it for being big and fat&lt;br /&gt;Get it for being small&lt;br /&gt;Oh those who get it get it and get it&lt;br /&gt;For any damn thing at all&lt;br /&gt;&lt;br /&gt;Sometimes they take a beetle, tear off its six legs one by one&lt;br /&gt;Beetle on its black back, rocking in the lunchtime sun&lt;br /&gt;But a beetle can't beg for more, a beetle's not half the fun&lt;br /&gt;&lt;br /&gt;I heard a deep voice talking, it had that iceberg sound&lt;br /&gt;'It prepares them for Life' - but I have never found&lt;br /&gt;Any place in my life worse than The Killing Ground.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;More than any other poet Adrian successfully combined the rhythms of rock and roll with incisive political comment - I still have vivid recollections of his performance of his anti-boss poem "Fuck off Friday" at the Centenary celebrations for the anarchist paper &lt;span style="font-style: italic;"&gt;Freedom&lt;/span&gt; in 1986.  His work with children was both inspired and inspiring.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Jonathan Sale interview in the &lt;/span&gt;&lt;a style="font-family: arial;" href="http://www.independent.co.uk/student/career-planning/getting-job/passedfailed-an-education-in-the-life-of-adrian-mitchell-shadow-poet-laureate-458658.html"&gt;&lt;span style="font-style: italic;"&gt;Independent&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:arial;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Poetry Trust &lt;/span&gt;&lt;a style="font-family: arial;" href="http://www.michaelrosen.co.uk/mitchell_rosen.html"&gt;Interview &lt;/a&gt;&lt;span style="font-family:arial;"&gt;with Michael Rosen and Adrian Mitchell&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;There is a good overview of his work on the British Council's &lt;/span&gt;&lt;a style="font-family: arial;" href="http://www.contemporarywriters.com/authors/?p=auth519D193A0f10920030wNq1B3A350"&gt;Contemporary Writers&lt;/a&gt;&lt;span style="font-family:arial;"&gt; website.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;As a tribute Neil Astley has posted videos of Adrian reading three of his poems, on Vimeo, including &lt;/span&gt;&lt;a style="font-family: arial;" href="http://vimeo.com/2583888"&gt;"Especially When it Snows"&lt;/a&gt;&lt;span style="font-family:arial;"&gt; an elegy for his adopted go-daughter Boty, who died of a heroin overdose.  &lt;/span&gt;&lt;span style="font-family:arial;"&gt;[thanks to &lt;/span&gt;&lt;a style="font-family: arial;" href="http://peonymoon.wordpress.com/2008/12/20/adrian-mitchell/"&gt;Peony Moon&lt;/a&gt;&lt;span style="font-family:arial;"&gt;] &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-4983225621191521750?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/4983225621191521750'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/4983225621191521750'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/12/adrian-mitchell-poet-my-brain-socialist.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-8280599515954928715</id><published>2008-12-07T22:49:00.003Z</published><updated>2008-12-08T08:37:07.213Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-family:arial;font-size:130%;"  &gt;Seduced by the Devil's Whore?&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;If you have been watching Channel 4s costume Drama, the "Devil's Whore" based on the real events of the English Civil War and are interested in finding out more about the Levellers and the Diggers - what they believed in and what they did, then you will be interested in the London Socialist Historians one-day event:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 0);font-family:arial;font-size:130%;"  &gt;&lt;span style="font-weight: bold;"&gt;1649 and the Execution of King Charles &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;p  class="lead" style="font-family:arial;"&gt;&lt;span class="leadtext"&gt;30 January 1649&lt;/span&gt; is one of the key dates in the history of British democracy but it is commemorated nowhere in Britain. It was the day when King Charles 1st was beheaded and the Commonwealth of Oliver Cromwell, the foundation of modern Parliamentary democracy, came into effective being. It was a revolutionary moment and it brought onto the historical stage people, ideas and movements that went well beyond anything that Cromwell and the senior leadership of the New Model Army had in mind. Brian Manning in his seminal book on 1649 notes that this was a year when popular mobilisations did not happen. There was no popular uprising to mark the Commonwealth, and no popular protest at the execution of the King. There was however an Army revolt at Burford, also celebrating its anniversary this year, which was brutally put down by Cromwell. 1649 was also the year when Cromwell landed in Dublin to initiate brutal episodes in Ireland.&lt;/p&gt; &lt;p style="font-family: arial;"&gt;This conference will look at the liberties and democratic practices ushered in by 1649 and at those who wanted to take them further.&lt;/p&gt;    &lt;br /&gt;&lt;span style="font-family:arial;"&gt;1649 and the execution of King Charles&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Saturday 7 February 2009&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Venue: Institute of Historical Research, Senate House, London.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Programme&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;9.30 – Registration (Wolfson Room)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;10.00-11.15 Welcome and Keynote addresses (Wolfson Room)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Chair: Keith Flett, LSHG&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Geoffrey Robertson, author of The Tyrannicide Brief&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;John Rees, author of A Rebel's Guide to Milton, forthcoming&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;11.15-11.30 Coffee&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;11.30-12.30 PANEL ONE: Cromwell's coalition and its critics (Wolfson Room)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Chair: David Renton, LSHG&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Martyn Everett,  'The Agitators – between Rebellion and Reaction'&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Dr. Ariel Hessayon, Goldsmiths College, 'Early modern Communism: the Diggers and community of goods'&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;11.30-12.30 PANEL TWO: 1649 in contemporary eyes (Pollard Room)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Chair: Tobas Abse, LSHG&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Claudia Guli, University of Melbourne, 'Historical Precedent in Contemporary Justifications of the Trial of Charles I'&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Ángel Alloza, CSIC (Spain), '"An Outrageous Incident": the execution of Kings Charles seen from Abroad'&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;12.30-1.30 Lunch&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;1.30-2.30 PANEL THREE: The regicide, terror and Restoration (Pollard Room)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Chair: David Renton, LSHG &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Jerome de Groot, University of Manchester, '"Original Villany": Foundational Terrorism'&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Alan Marshall, Bath Spa University, 'The Trials of Thomas Harrison, regicide'&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;1.30-2.30 PANEL FOUR: The Republic and something more (Wolfson Room)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Chair: Paul Burnham, LSHG&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Alejandro Doering De Rio, Queen's College Cambridge, 'James Harrington as a theorist of political of equality'&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Dr John Seed, Roehampton University, 'The politics of remembering: the execution of Charles I in C18th England'&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2.30-2.45 Coffee&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;2.45-4.00 Closing Plenary (Wolfson Room)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Chair: Keith Flett&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Norah Carlin, author of The Causes of the English Civil War&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Geoff Kennedy, author of Diggers, Levellers and Agrarian Capitalism&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;£10 waged / £5 unwaged,.  Order from  Keith Flett&lt;br /&gt;&lt;a ymailto="mailto:keith1917@btinternet.com" href="http://uk.mc871.mail.yahoo.com/mc/compose?to=keith1917@btinternet.com"&gt;keith1917@btinternet.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-8280599515954928715?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8280599515954928715'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8280599515954928715'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/12/seduced-by-devils-whore-if-you-have.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-7662213796008103203</id><published>2008-11-24T23:23:00.002Z</published><updated>2008-11-24T23:49:30.963Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;A Lifetime of Control&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;The precise impact of ID cards is still only just being made clear.  Not just the sheer amount of personal data that will be collected, but the massive fines (£1,000) and extensive jail sentences (up to two years) for failing to complete application forms properly or within certain time limits, failure to turn up for questioning at a designated "interrogation" centre of the government's choosing (my three nearest centres are 30, 40 and 60 miles away - all involving a minimum of 2 hours of travel in each direction).&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;The No2ID website now provides a link to the government's consultation document on the secondary legislation required to make the whole scheme "work":&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.no2id.net/"&gt;www.no2id.net&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;...meanwhile answers to recent Parliamentary questions have revealed that there are now more than a million children on the UK DNA database, including more than 100,000 aged between 10 and 12.  Under 18s now comprise more than 25% of all records on the database.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;full report on &lt;/span&gt;&lt;a style="font-family: arial;" href="http://www.publictechnology.net/modules.php?op=modload&amp;amp;name=News&amp;amp;file=article&amp;amp;sid=18039"&gt;&lt;span style="color: rgb(255, 255, 0);"&gt;Publictechnology.net&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: arial;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt; &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-7662213796008103203?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/7662213796008103203'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/7662213796008103203'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/11/lifetime-of-control-precise-impact-of.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2895276139164008722</id><published>2008-11-24T08:16:00.002Z</published><updated>2008-11-24T09:00:22.849Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;Free Digital Resources&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;font-size:100%;" &gt;CollegeDegree.com has put together a page of &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-family: arial;"&gt; 100 University &lt;/span&gt;&lt;b style="font-family: arial;"&gt;Libraries&lt;/b&gt;&lt;span style="font-family: arial;"&gt; from around the world, that provide extensive digital collections "that anyone can access".&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Libraries listed include Michigan State University Libraries, with digital collections on radicalism (American Indian Movement, Black Panthers, I W W, Wounded Knee, and the Sacco &amp;amp; Vanzetti case);  Comic Art, Cookbooks, Orchids, etc.; Syracuse University Library where the digitised collections include their extensive holdings of Medieval Manuscripts; Cambridge University Library, which has digitised two of the Conrad Martens Sketchbooks (Martens accompanied Darwin on the voyage of the Beagle) and an anglo-saxon "verse life" Edward the Confessor from an early 13th century manuscript.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;View the complete list of 100 Libraries:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.collegedegree.com/library/college-life/100_extensive_university_libraries_from_around_the_world"&gt;CollegeDegree.com&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2895276139164008722?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2895276139164008722'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2895276139164008722'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/11/free-digital-resources-collegedegree.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-4419122203520101655</id><published>2008-11-23T09:42:00.003Z</published><updated>2008-11-23T10:10:53.962Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-family:arial;font-size:130%;"  &gt;Notes from Walnut Tree Farm&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;I wish I had met Roger Deakin before he died.  His powers of observation and his humane sensibility continue to impress themselves on my mind more than two years after his death.   So I was pleased to read in &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;The Times&lt;/span&gt;&lt;span style="font-family:arial;"&gt; that his random observations and research notes, compiled over a period of six years, have been edited and shaped into a new book by Alison Hastie and Terence Blacker.  They have taken occasional sentences, "paragraphs and sometimes mini-essays" and presented them in journal format.&lt;br /&gt;&lt;br /&gt;In his review Alexander Cockburn describes Deakin's "vigorous" natural descriptions, and the way in which he "communes - in the richest sense of the word - with the creatures of his old hedgerows, the living slime on the bit of Elizabethan moat in which he swam, his coppice wood, his unpoisoned pastures, the hornets in the attic, the badgers in their sett, the young hedgehog warmed back to health...."&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;New British nature writing at its very best.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Read Alexander Cockburn's review in full at  &lt;/span&gt;&lt;a style="font-family: arial;" href="http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/books/non-fiction/article5199832.ece"&gt;&lt;span style="color: rgb(255, 255, 0);"&gt;Times Online&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:arial;"&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-4419122203520101655?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/4419122203520101655'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/4419122203520101655'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/11/notes-from-walnut-tree-farm-i-wish-i.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-3885210014575530965</id><published>2008-11-20T14:01:00.002Z</published><updated>2008-11-20T14:10:04.426Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; font-family: arial;font-size:130%;" &gt;&lt;span style="color: rgb(255, 255, 0);"&gt;The Kindest Cut - War Surgery&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;A recently published book - almost banned before publication - is making news in the US.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;War surgery in Afghanistan and Iraq 2003-2007&lt;/span&gt;&lt;span style="font-family: arial;"&gt; intended as a guidebook to new surgical techniques provides harrowing documentary evidence - if any is still needed - about what war does to people.  Sarah Jackson Han provides an articulate review for &lt;span style="font-style: italic;"&gt;Healthcare  Today&lt;/span&gt;:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://www.hc2d.co.uk/content.php?contentId=9297"&gt;&lt;span style="color: rgb(255, 255, 0);"&gt;www.hc2d.co.uk/content.php?contentId=9297&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-3885210014575530965?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3885210014575530965'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3885210014575530965'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/11/kindest-cut-war-surgery-recently.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-5472639738736731803</id><published>2008-11-19T23:18:00.003Z</published><updated>2008-11-19T23:48:47.057Z</updated><title type='text'></title><content type='html'>&lt;span style="font-family:arial;font-size:130%;color:#ffff00;"&gt;Hope in Common&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;A new essay from David Graeber on InterActivist Info Exchange:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;"Those wishing to subvert the system have learned by now, from bitter experience, that we cannot place our faith in states. The last decade has instead seen the development of thousands of forms of mutual aid association, most of which have not even made it onto the radar of the global media. They range from tiny cooperatives and associations to vast anti-capitalist experiments, archipelagos of occupied factories in Paraguay or Argentina or of self-organized tea plantations and fisheries in India, autonomous institutes in Korea, whole insurgent communities in Chiapas or Bolivia, associations of landless peasants, urban squatters, neighborhood alliances, that spring up pretty much anywhere that where state power and global capital seem to temporarily looking the other way. They might have almost no ideological unity and many are not even aware of the other’s existence, but all are marked by a common desire to break with the logic of capital. And in many places, they are beginning to combine. “Economies of solidarity” exist on every continent, in at least eighty different countries. We are at the point where we can begin to perceive the outlines of how these can knit together on a global level, creating new forms of planetary commons to create a genuine insurgent civilization."&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;&lt;/span&gt;&lt;br /&gt;Read the full essay online:&lt;br /&gt;&lt;a href="http://slash.autonomedia.org/node/11569"&gt;&lt;span style="font-family:arial;color:#ffff00;"&gt;http://slash.autonomedia.org/node/11569&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-5472639738736731803?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/5472639738736731803'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/5472639738736731803'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/11/hope-in-common-new-essay-from-david.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-8928498143985927251</id><published>2008-11-18T08:40:00.004Z</published><updated>2008-11-20T08:56:27.840Z</updated><title type='text'></title><content type='html'>&lt;span style="display: block;" id="formatbar_Buttons"&gt;&lt;span class="on down" style="display: block;" id="formatbar_CreateLink" title="Link" onmouseover="ButtonHoverOn(this);" onmouseout="ButtonHoverOff(this);" onmouseup="" onmousedown="CheckFormatting(event);FormatbarButton('richeditorframe', this, 8);ButtonMouseDown(this);"&gt;&lt;img src="http://www.blogger.com/img/blank.gif" alt="Link" class="gl_link" border="0" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-family:arial;font-size:130%;"  &gt;Mickey Mouse - 80 Today&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;An interesting interview on this morning's Today programme, on Radio 4, in which Brian Sibley, "the author of the &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;Disney Studio Story&lt;/span&gt;&lt;span style="font-family:arial;"&gt; and &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;Mickey Mouse: His Life and Times&lt;/span&gt;&lt;span style="font-family:arial;"&gt;, explains the enduring appeal of Walt Disney's most famous creation":&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Listen again if you missed it (only available for one week after broadcast):&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://news.bbc.co.uk/today/hi/listen_again/default.stm"&gt;&lt;/a&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://news.bbc.co.uk/today/hi/today/newsid_7734000/7734774.stm"&gt;http://news.bbc.co.uk/today/hi/today/newsid_7734000/7734774.stm&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;For a different perspective here's some online extracts from Ariel Dorfman's classic  &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;How to Read Donald Duck&lt;/span&gt;&lt;span style="font-family:arial;"&gt;:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.adorfman.duke.edu/"&gt;www.adorfman.duke.edu/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;[select "essays" from the links at the top of the page]&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;and if you have time on your hands to read comics, here is the full online version of &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;The Adventures of TinTin: Breaking Free:&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://tintinrevolution.free.fr/"&gt;http://tintinrevolution.free.fr/&lt;/a&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-8928498143985927251?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8928498143985927251'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/8928498143985927251'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/11/mickey-mouse-80-today-interesting.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-1803221285395655438</id><published>2008-11-14T14:11:00.004Z</published><updated>2008-11-14T14:28:30.698Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-size:130%;" &gt;"...a strong literary style bears the same relation to everyday conversation that Matisse bears to the demands of home decoration."&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Andrew O'Hagan writes in the new issue of the &lt;span style="font-style: italic;"&gt;London Review of Books&lt;/span&gt;, about the experience of listening to the voices of famous writers, now long dead, but newly revealed by the British Library:&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0);" href="http://www.lrb.co.uk/v30/n22/ohag01_.html"&gt;www.lrb.co.uk/v30/n22/ohag01_.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;New CDs available from the British Library:  &lt;a style="color: rgb(255, 255, 0);" href="http://www.bl.uk/news/2008/pressrelease20081022.html"&gt;The Spoken Word: &lt;em&gt; British Writers &lt;/em&gt; and The Spoken Word: &lt;/a&gt;&lt;em&gt;&lt;a style="color: rgb(255, 255, 0);" href="http://www.bl.uk/news/2008/pressrelease20081022.html"&gt;American Writers&lt;/a&gt;.&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0);" href="http://www.bl.uk/reshelp/findhelprestype/sound/index.html"&gt;British Library Sound Archives&lt;br /&gt;&lt;/a&gt;(n.b. not available between evening of 16 November and afternoon of 17 November)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-1803221285395655438?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1803221285395655438'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/1803221285395655438'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/11/blog-post.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-5496527416168425357</id><published>2008-11-11T14:28:00.002Z</published><updated>2008-11-11T14:36:37.970Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;Why I Copyfight&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Cory Doctorow,  author of &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Over-Clocked; Futuristic Tales; Someone Comes to Town, Someone Leaves Town;&lt;/span&gt;&lt;span style="font-family: arial;"&gt; and the recently published,  &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Little Brother&lt;/span&gt;&lt;span style="font-family: arial;"&gt;, writes about copyright issues, for &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Locus Magazine&lt;/span&gt;&lt;span style="font-family: arial;"&gt;:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;"Culture's imperative is to share information: culture &lt;/span&gt;&lt;i style="font-family: arial;"&gt;is&lt;/i&gt;&lt;span style="font-family: arial;"&gt; shared information. Science fiction readers know this: the guy across from you on the subway with a gaudy SF novel in his hands is part of your group. You two have almost certainly read some of the same books, you've got some shared cultural referents, some things to talk about."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://www.locusmag.com/Features/2008/11/cory-doctorow-why-i-copyfight.html"&gt;&lt;span style="color: rgb(255, 255, 0);"&gt;www.locusmag.com/Features/2008/11/cory-doctorow-why-i-copyfight.html&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-5496527416168425357?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/5496527416168425357'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/5496527416168425357'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/11/why-i-copyfight-cory-doctorow-author-of.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-4143798003386046103</id><published>2008-11-10T08:43:00.002Z</published><updated>2008-11-10T08:47:47.731Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;NO2ID&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;A blog to keep you up to date with the campaign to "stop ID cards and the database state" from the No2ID campaign:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.no2id.net/newsblog/"&gt;www.no2id.net/newsblog/ &lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-4143798003386046103?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/4143798003386046103'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/4143798003386046103'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/11/no2id-blog-to-keep-you-up-to-date-with.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-422018403752529982</id><published>2008-11-06T14:35:00.003Z</published><updated>2008-11-06T23:08:08.037Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-size:130%;" &gt;Hoyle Day&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Anyone in Cambridge on Saturday (8th November) should take advantage of "Hoyle Day" to visit a one-day exhibition on the life and work of science-ficiton writer and astronomer, Fred Hoyle.   His best known books were &lt;span style="font-style: italic;"&gt;The Black Cloud&lt;/span&gt;, and &lt;span style="font-style: italic;"&gt;A for Andromeda&lt;/span&gt;.  As a bonus, St John's College, which is hosting the exhibition is also providing  guided tours around the College's 17th Century Library. There will also be a talk by Dr Carolin Crawford, Institute of Astronomy, about the life and work of Fred Hoyle.&lt;br /&gt;&lt;br /&gt;full details from &lt;a style="color: rgb(255, 255, 0);" href="http://www.cambridgenetwork.co.uk/news/article/default.aspx?objid=53431"&gt;The Cambridge Network&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-422018403752529982?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/422018403752529982'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/422018403752529982'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/11/hoyle-day-anyone-in-cambridge-on.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-840836462461294302</id><published>2008-11-01T16:14:00.003Z</published><updated>2008-11-01T19:24:43.006Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-family:arial;" &gt;Studs Terkel&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;A pioneer in the use of oral history, Studs Terkel was one of the first historians to provide a voice for the life and experiences of ordinary working Americans.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Here's  a short piece about Studs on the BBC website, which includes a short video clip made earlier this year:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://news.bbc.co.uk/1/hi/entertainment/7703428.stm"&gt;http://news.bbc.co.uk/1/hi/entertainment/7703428.stm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;There is also a stimulating interview with Studs carried out when he was 91, full of rambling anecdotes, those teasing stories that give oral history its charm, on Youtube:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://uk.youtube.com/watch?v=QmDUwlseN4M"&gt;http://uk.youtube.com/watch?v=QmDUwlseN4M&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Some of Studs' own work  - the interviews he carried out - can be found  on this collection of "Conversations with America":&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a style="font-family: arial; color: rgb(255, 255, 0);" href="http://www.studsterkel.org/"&gt;www.studsterkel.org&lt;/a&gt;&lt;span style="font-family: arial;"&gt; &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-840836462461294302?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/840836462461294302'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/840836462461294302'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/11/studs-terkel-pioneer-in-use-of-oral.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-6493556668386127406</id><published>2008-10-21T23:09:00.002+01:00</published><updated>2008-10-21T23:15:43.305+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; font-family: arial;font-size:130%;" &gt;&lt;span style="color: rgb(255, 255, 0);"&gt;Radical Bookshops&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;The new issue of &lt;span style="font-style: italic;"&gt;Information for Social Change&lt;/span&gt; (No: 27) is now available online with a series of articles on radical bookshops:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.libr.org/isc/toc.html"&gt;www.libr.org/isc/toc.html&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-6493556668386127406?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/6493556668386127406'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/6493556668386127406'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/10/radical-bookshops-new-issue-of.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-2407789696811484165</id><published>2008-10-18T09:34:00.003+01:00</published><updated>2008-11-10T08:58:26.435Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-family:arial;font-size:130%;"  &gt;Roald Dahl as Spy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Jacob Heilbrunn reviews Jennet Conant's &lt;/span&gt;&lt;span style="font-style: italic;font-family:arial;" &gt;The Irregulars&lt;/span&gt;&lt;span style="font-family:arial;"&gt; in the &lt;span style="font-style: italic;"&gt;The New York Times&lt;/span&gt; Sunday Book Review:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://www.blogger.com/post-create.g?blogID=3845184"&gt;&lt;span style="color: rgb(255, 255, 0);"&gt;www.blogger.com/post-create.g?blogID=3845184&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-2407789696811484165?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2407789696811484165'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/2407789696811484165'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/10/roald-dahl-as-spy-jacob-heilbrunn.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-3757815130995004756</id><published>2008-10-16T16:48:00.003+01:00</published><updated>2008-10-16T16:56:23.588+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-family:arial;font-size:130%;"  &gt;"of course you can say what you like in England...."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Church Street Liverpool has traditionally been a place where people can set up a stall and distribute protest literature.  Recently that tradition has been subject to low level harassment and confiscation of literature by the police.  In response local groups organised through "Liverpool Freedom of Expression"  set up ten stalls last Saturday.  The police response was to surround campaign stalls with up to six riot vans.  Two people were arrested and several stalls had leaflets and literature confiscated.&lt;/span&gt;&lt;span style="display: block;font-family:arial;" id="formatbar_Buttons" &gt;&lt;span class="on down" style="display: block;" id="formatbar_CreateLink" title="Link" onmouseover="ButtonHoverOn(this);" onmouseout="ButtonHoverOff(this);" onmouseup="" onmousedown="CheckFormatting(event);FormatbarButton('richeditorframe', this, 8);ButtonMouseDown(this);"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;After the arrests activists were joined by passing members of the public, incensed at what they had witnessed, in a spontaneous attempt to block police vans and prevent them from leaving.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Several articles explaining the background and giving details about this incident can be read on &lt;/span&gt;&lt;a style="color: rgb(255, 255, 0); font-family: arial;" href="http://www.indymedia.org.uk/en/regions/liverpool/"&gt;indymedia liverpool&lt;/a&gt;&lt;span style="font-family:arial;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Liverpool people aren't prepared to tolerate this assault on their freedom of speech so this Saturday - 18th October - local people will be holding another mass stall action. If you want to take part meet outside News from Nowhere in Bold Street at 12.30 pm&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-3757815130995004756?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3757815130995004756'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/3757815130995004756'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/10/of-course-you-can-say-what-you-like-in.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-4627860237805580235</id><published>2008-10-14T11:27:00.004+01:00</published><updated>2008-11-10T09:14:43.080Z</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0); font-family: arial;font-size:130%;" &gt;Albert Camus and the Libertarians&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Many of the the writings of Albert Camus were framed by a dialogue with anarchism - notably &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;The Rebel&lt;/span&gt;&lt;span style="font-family: arial;"&gt;, and shorter works such as the early essay on the poet Jehan Rictus, "Jehan Rictus: the poet of poverty"  and the anti-cold war statement &lt;/span&gt;&lt;a style="color: rgb(255, 255, 0);" href="http://www.spunk.org/texts/writers/camus/sp001174.txt"&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Neither Victims Nor Executioners&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: arial;"&gt;.  He worked close&lt;/span&gt;&lt;span style="font-family: arial;"&gt;ly with anarchists, revolutionary syndicalists and anti-authoritarian Marxists, supporting conscientious objectors and Spanish anti-fascists.  Now a long term project to publish his anarchist and libertarian writings, with the support of his daughter Catherine has reached completion with the publication in French of &lt;/span&gt;&lt;span style="font-style: italic; font-family: arial;"&gt;Albert Camus et les libertaires : écrits présentés par Lou Marin&lt;/span&gt;&lt;span style="font-family: arial;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Marseille: Egrégores, 2008. 361 pages. € 15.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;ISBN: 978-2-9523819-4-9&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://raforum.info/article.php3?id_article=4276#" name="free.fr" title="cauzias" onclick="location.href = dolink(this.title, this.name); return false;" class="spip_out"&gt;Égrégores Editions&lt;/a&gt;&lt;span style="font-family: arial;"&gt;  7, boulevard de la Liberté, 13001 Marseille, France&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;egregores.editions@free.fr&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-4627860237805580235?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/4627860237805580235'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/4627860237805580235'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/10/albert-camus-and-libertarians-many-of.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-5590403630613944428</id><published>2008-10-11T12:47:00.002+01:00</published><updated>2008-10-11T13:25:13.097+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);"&gt;In Print....&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;A short and occasional reminder that it isn't all available on the Web:&lt;br /&gt;&lt;br /&gt;Alastair Bellamy writes on "The Murder of John Lambe: Crowd Violence and Popular Politics in Early 17th Century England" in &lt;span style="font-style: italic;"&gt;Past and Present&lt;/span&gt;, 200 (August 2008).  Also in the same issue&lt;br /&gt;&lt;dl&gt;&lt;dt&gt;    Robert Gerwarth explores &lt;strong style="font-weight: normal;"&gt;"The Central European Counter-Revolution: Paramilitary Violence in Germany, Austria and Hungary after the Great War."   In particular he looks at how the ideology of anti-semitism helped to create a "socially homogeneous Central European subculture of paramilitary activists who were linked by a determination to suppress violently those held responsible for defeat, revolution and territorial disintegration".&lt;/strong&gt;&lt;/dt&gt;&lt;/dl&gt;The November issue of &lt;span style="font-style: italic;"&gt;Book and Magazine Collector&lt;/span&gt; contains an article by David Blake on "George Bellairs: the Banker of Crime" about writer Harold Blundall, author of some 40 detective novels, while &lt;span style="font-style: italic;"&gt;Rare Book Review&lt;/span&gt; (Oct/Nov 2008) has an neat article by Charlotte Luxford "A Group of Their Own" on "love and loss in Virginia Woolf's intimate circle"  and as a bonus there is also a feature on Terry Pratchett - "Not the End of Discworld".&lt;br /&gt;&lt;br /&gt;Meanwhile I was intrigued to see the revival of the argument about the "sexy hand-axe thesis" in the current issue of &lt;span style="font-style: italic;"&gt;Antiquity&lt;/span&gt;.  The theory that the Acheulean handaxe was a surrogate used to flaunt stoneage masculinity, and therefore played a key role in natural selection was first controversially proposed M&lt;span style="font-size:-1;"&gt;&lt;span style="font-size:100%;"&gt;                     Kohn &amp;amp; S Mithen, in an article "Handaxes: Products of Sexual                      selection?" &lt;em&gt;Antiquity&lt;/em&gt; 73 (199)  518-526.  Now Anna Jane Machin has given the pot a fresh stir with a fresh look at this theory "The Sexy Handaxe Theory" with a rejoinder by Steve Mithen.&lt;br /&gt;Expect sales of &lt;span style="font-style: italic;"&gt;Antiquity&lt;/span&gt; to rocket, centre-folds of Phil Harding, and the re-opening of the  Norfolk flint mines at Grimes Graves as soon as the tabloids catch onto it...&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-5590403630613944428?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/5590403630613944428'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/5590403630613944428'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/10/in-print.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-3845184.post-425952964131474150</id><published>2008-10-11T09:41:00.003+01:00</published><updated>2008-10-11T10:01:15.459+01:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold; color: rgb(255, 255, 0);font-size:130%;" &gt;The Complexities of Babar&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Adam Gopnik examines the different interpretations of Jean de Brunhoff's &lt;span style="font-style: italic;"&gt;Babar&lt;/span&gt; books &lt;span style="font-style: italic;"&gt;&lt;/span&gt; - an implicit endorsement of French colonialism or a "fable of the difficulties of a bourgeois life" as Gopnik concludes?&lt;br /&gt;&lt;br /&gt;While I don't accept the fable argument I think it is a real step forward to see the social values embedded in literature debated in the pages of a mainstream publication like the &lt;span style="font-style: italic;"&gt;New Yorker&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;The &lt;span style="font-style: italic;"&gt;New Yorker&lt;/span&gt; article:&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0);" href="http://www.newyorker.com/reporting/2008/09/22/080922fa_fact_gopnik?currentPage=all"&gt;www.newyorker.com/reporting/2008/09/22/080922fa_fact_gopnik?currentPage=all&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The Morgan Library &amp;amp; Museum currently host an online exhibition of original drafts and Watercolours for the first Babar book:&lt;br /&gt;&lt;br /&gt;&lt;a style="color: rgb(255, 255, 0);" href="http://www.themorgan.org/collections/swf/exhibOnline.asp?id=900"&gt;www.themorgan.org/collections/swf/exhibOnline.asp?id=900&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3845184-425952964131474150?l=booksurfer.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/425952964131474150'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3845184/posts/default/425952964131474150'/><link rel='alternate' type='text/html' href='http://booksurfer.blogspot.com/2008/10/complexities-of-babar-adam-gopnik.html' title=''/><author><name>Martyn Everett</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='20' height='32' src='http://raforum.apinc.org/IMG/vignettes/anarchik_lettore.gif-s.jpg'/></author></entry></feed>
